Wednesday, I recalled my opinion about the short-lived Booster Gold / Harley Quinn romance. More important than my feelings about this topic, though, are the feelings of Booster Gold's creator, Dan Jurgens, who revealed them in an exclusive interview with Russ Burlingame, as quoted in The Gold Exchange: The Boosterrific Deluxe Edition pages 603-4:

Burlingame: [In an earlier interview, writer Tom King] did seem to suggest that, had he known he was doing The Gift at the same time you were doing Booster Shot over in Action Comics, he likely would have gone a different way with it, since it was so strange to see [Booster] doing two opposing things at the same time.

Jurgens: Yeah. At the same time, I do think characters have to have a little bit of elasticity to them, and it was kind of a fine line in terms of how it might have worked. I also thought that in a book like Heroes in Crisis, it was nice to have Booster included, and I thought it became a good mix of characters that way. I thought that Booster and Harley made a really interesting pairing that was interesting to read, and they played off each other very well, I thought.

Burlingame: I didn't think about it until now; I probably should have tried to talk to the Harley Quinn creators who had Booster as her boyfriend for a minute there.

Jurgens: Which I think the internet reacted to quite badly, is that right? Or at least a good portion of it?

Burlingame: I think it was less about Booster and more about the feeling that they had just set up Harley to have this amazing relationship with Poison Ivy, and they were killing her off. And then probably part of that was jettisoning a same-sex relationship for a heterosexual one.

Jurgens: Right. I think... could Booster and Harley work? Yes. Could you possibly attract fans who are interested in that relationship? Probably also yes. I don't think there's a right and wrong. I think that if you write it well, you can get people invested in it.

Burlingame: That one just didn't have time to be written well, because the blowback was so instantaneous, and DC didn't seem to see it coming.

Jurgens: Yeah, I think that's right.

Jurgens is such a nice guy. If he doesn't have a problem pairing Booster and Harley, I shouldn't have one either. I can live with that.

Thanks to Russ for asking the question and giving permission to reprint it here.

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You know, for someone who says I don't like Tom King's work, I somehow dedicate a lot of space on this blog to him. What can I say? The guy's just kind of hard to ignore, especially when he tweets things like this:

That's the book cover under the dust jacket of the Human Target Volume 1 hardcover coming our way September 27. Yeah, we've seen that art before — it was created by Greg Smallwood for the interior of Human Target #1. But it's still Boosterrific no matter how many times we see it.

While I'm on the topic, this would seem to be a great time to mention that Russ Burlingame has an exclusive interview with Tom King in The Gold Exchange: The Boosterrific Deluxe Edition. With Russ's permission, I'm quoting starting from page 594 here:

Burlingame: You said earlier that you write Booster "wrong." That feels like a healthy way of internalizing audience feedback, just to crack the joke and say "I know 30% of everyone reading this are going to bitch, and that's fine."

King: I mean, I say "right" and "wrong," but I wouldn't change the way that I write. I just wrote Booster for Human Target, and I loved how those pages turned out. Yeah, my Booster's a little goofier and a little sillier, and I know it's not going to please everyone, but it's my job to make the best product I can, and that's the best product I see.

If I'm just trying to write the way everyone wants me to write, then I'll write crappy. I know it's going to turn out worse if I try to do it the other way.

My general opinion is that there are a lot of superheroes who are super-competent and super good in the DC Universe, and it's nice to have one who's not that way. It's what makes him interesting and funny. It's nice to have a guy who can make jokes, and that when you read him, it can make you laugh. That's what I like about Booster; he's not like all the other superheroes.

To me, it's the difference between what Iron Man was up until Robert Downey, Jr. and what he is now. He was just a generic, boring guy, and yeah, he had alcoholism, but that was basically it. And then Robert Downey, Jr. came along, and it was like, "What if we made this guy so arrogant it was funny?" And then we're like, "Oh, yeah. Now he's a [effing] great character."

Burlingame: In Human Target, it isn't just Booster, but the entire Justice League International. Do you approach Booster a little differently as part of that unit?

King: I knew I was taking the Keith Giffen/JLI version as opposed to the Dan Jurgens, more heroic version. I wanted to make sure I had it down, so I talked to Dan about it and he was like, "Well, Booster is a guy who doesn't mind making money off being a superhero," so I wanted to make a thing where he was making money off being a superhero, so I put Booster's Bagels in there.

I just started to put captions back in my writing. I haven't used captions since The Vision, so that's like seven years without captions. The whole point of Human Target is, he goes through each JLI member and kind of cuts to the core of them at some point and says why they're awesome, or what's at their heart. So it gave me a chance, using Chance's voice, to say what I love about the character.

So Booster is Booster. And "Yeah, Booster's a joke, but aren't they all? At least this one's funny" is I think his great Booster line.

We can agree on that, at least. Booster Gold *is* funny.

Thanks for the interview (and the book), Russ!

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Remember that time when the powers-that-be at DC decided to scrap (almost) their entire shared universe for another, new shared universe of unfamiliar characters in familiar costumes?

Yeah, okay. That's a little vague. We *are* talking about DC here.

Specifically, I'm talking about the relaunch 12 years ago, the "New 52." If you'll recall, sales were down, and something had to be done to goose them. That something was determined to be a line-wide reboot. However, before a new universe could be launched, the pre-existing universe had to be canceled. Which is how Booster Gold #47, released on this day in 2011, became the final issue of that series.

Sadly, it's not a very good comic book.

Most of the story deals with Booster's tragic but inconsequential misadventures in the Flashpoint alternate universe with doomed Alexandra Gianopoulos — all drawn by a fill-in artist who seems to be operating under an unforgivingly tight deadline.

But the issue ends with a Dan Jurgens-drawn coda teasing that perhaps Booster had returned to the mainstream DCU in time to continue his story in the incoming New 52 Universe, where all DC characters would be wearing new costumes designed by Jim Lee.

It would be four more years before it was clarified that the New 52 Booster Gold (introduced the following month in Dan Jurgens-written Justice League International #1) and the original, post-Crisis on Infinite Earths Booster Gold were not actually the same entity at all. (All was revealed in 2015's Convergence Booster Gold.)

It's that sort of confusion that made the New 52 such a frustrating experience for longtime fans. If the creative teams don't know what the new rules are, how can the readers?

Frankly, over a decade later, I'm still irritated. The less said about Booster Gold #47, the better.

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While Booster boosters were occupied with last week's announcement and pre-sale of the McFarlane Toys Blue and Gold action figure 2-Pack, DC Comics tried to sneak another announcement past us:

That's the "Gatefold Main Cover" by Dan Jurgens and Brett Breeding of The Death of Superman 30th Anniversary Special #1, coming to a Local Comic Shop near you on November 8. And, as you can see, Booster Gold is on it.

According to the press release at DCComics.com, Jurgens and Breeding are just part of the all-star cast of writers and artists from the original "Death of Superman" reuniting for this special. The issue also brings back Roger Stern and Butch Guice, Louise Simonson and Jon Bogdanove, and Jerry Ordway and Tom Grummett. Yes, please.

This is obviously a big deal for DC, so obviously there are multiple covers. Nine, in fact, if you count the "Premium Polybag Variant." What you see above is the main cover. That means it'll be the cover you'll find if when you open the polybag to get your updated armband.

(Personal side note: for many, many years, I've worn a black leather jacket modeled after the Tom Grummet cover of The Adventures of Superman #501 with a Superman #75 black arm band. That armband is not a particularly durable fabric [2015 pictures here], and I look forward to replacing it.)

Anyway, while not every cover has been revealed yet, DC's announcement does include the "Funeral for a Friend" variant cover by Ivan Reis and Danny Miki. Like the Dan Jurgens variant for Justice League #75 a few months back that homaged "Funeral for a Friend," this cover also pays tribute to the Superman #75 poster, also with Booster Gold:

(Yes, that *is* Blue Beetle behind Booster on that cover. I'm sure I don't need to remind you that Beetle was not present for Superman's funeral because Doomsday put him in a coma. But if I'm going to nitpick, I probably should say something about Martian Manhunter/Bloodwynd. And let's just not go there.)

So if you're counting, that's at least *two* copies of The Death of Superman 30th Anniversary Special #1 you're going to need to keep your Booster Gold comic collection complete.

I'll let you know if that number goes up.

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By my count, Booster Gold has appeared in over 770 comics. That's a lot of pages!

I think it'll be fun — and maybe even enlightening — to give them another look, one page per book, in chronological order of publication, in a new series I'm calling:

There's no better place to start than where it all started, on the first page of Booster Gold volume 1, number 1, released on October 29, 1985.

You might be surprised that I chose as my favorite page from his first appearance one that has so little actual Booster Gold in it. What can I say? I'm a sucker for metatextuality in fiction.

From the moment I picked this issue out of a convenience store magazine rack in early 1986, I've always loved that the first Booster Gold comic book opens on the idea of a Booster Gold comic book, specifically a comic book that publisher Skip Blaze hopes will save his entire company. Though I didn't realize it at the time, that's an especially bold start for a character designed to break the mold of what DC Comics was known for producing.

Fortunately for Booster boosters everywhere, Skip Andrews' (and Dan Jurgens') big gamble in 1985 sure has paid off.

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