- Booster Gold
Showing posts 0-5 of 42 matching: interviews
Friday, July 23, 2021
Most of what they have to say won't come as news to Boosterrific.com readers, but that's not necessarily true of what Dan Jurgens tells Liam McGuire in the interview now available at ScreenRant.com:
Screen Rant: Booster Gold and Blue Beetle have a very different relationship with the big players on DC's Justice League. Does that difference get explored in this book?
Dan Jurgens: Very much so. Booster is a rather insecure person. He craves acceptance from the other heroes. He’s desperate to be regarded as an "A-Lister".
Ted would like that as well, but it's not an obsession for him. Booster, on the other hand, is desperate for it.
It's always great to have insight on how Booster's creator views his creation. "Insecure" may be an unusual word to apply to a DC superhero, but it accurately describes Booster's personality and what has motivated him into so many of his misadventures.
But hold on, here's another interesting bit:
Screen Rant: What can you tell us about working with Ryan Sook on this project?
Dan Jurgens: Ryan and I have worked together on FUTURES END, ACTION COMICS and BATMAN BEYOND. Every time I work with him, I am amazed by the quality of work and depth of thought that shows up on each and every page.
He's very much into the spirit of this project and exploring the nature of these two characters. It's a delight to see his work come in as we're working Marvel style, and it's really giving him the opportunity to add his magic touch.
If you aren't familiar with the "Marvel style," it's a "plot-first" process pioneered by Stan Lee and his artists in the 1960s where bare-bones plots where provided to pencillers so they have the most flexibility to work engaging layouts. In this method, scripting dialogue is done last.
(Stan Lee once wrote a book called How to Draw Comics the Marvel Way that focused entirely on what panels should look like in a Marvel comic, not how the artist and writer might work together. Ironically, the process is better explained by Denny O'Neil in The DC Comics Guide to Writing Comics.)
Over the past four decades, Jurgens has pencilled most of his own Booster Gold scripts, so it's interesting to see how he writes Booster for other artists. Is this how he worked with Aaron Lopresti on Justice League International or Corin Howell for Bat-Mite?
I hope Jurgens doesn't tire of talking Booster Gold anytime soon. There's always more to learn.
Friday, July 9, 2021
Dan Jurgens' latest interview about his forthcoming project, Blue and Gold — perhaps you've heard of it? — is online at DymanicForces.com.
Interviewer Byron Brewer was unable to coerce the famously tight-lipped Jurgens into revealing much that we didn't already know, but he did get these fun tidbits:
BB: Tell us a little bit about the overall storyline of this limited series.
Dan Jurgens: After going off on their own for a couple of years, Booster and the Beetle have reunited with the idea of forming a true partnership that gives them the chance to help people. Not as heroes for hire, but as heroes whose mission is supported by crowdfunding, as they seek to help those who don’t have access to Superman, Wonder Woman and the rest of the heroic pantheon.
BB: Please tell me Skeets is in this one!
Dan Jurgens: Absolutely! And we may even have an all-new addition of—oh, wait. I can’t mention that yet.
Obviously, Jurgens was playing coy. We've already seen the solicitation for Blue and Gold #3.
Dynamic Forces specializes in artist-signed limited edition comics. If you're thinking about getting your hands on a Jurgens-signed Blue and Gold #1, know that dynamicforces.com is already selling its "Elite Gold Signature" edition for $89.99. It'd be a deal at twice the price!
Wednesday, June 30, 2021
I would like to thank all the Booster boosters who pointed me to Monday's Nerdist.com interview with the writer of the upcoming Blue and Gold mini-series by some guy named Dan Jurgens.
It is a pretty interesting read, and not just because it has an exclusive 5-page preview of the first issue. For example,
[I]n the wake of Dark Nights: Death Metal, the heroes of the DC Universe remember all previous continuities. So will remembering all this trauma play into Blue and Gold?
Turns out, not so much. According to Jurgens, "Booster is aware of it, of course, while Ted doesn’t want to address it. He knows of it but also buries it."
Jurgens elaborated further, saying, "From a creative standpoint, I don't want to dwell on it. We did it in the 2007 Booster Gold series and I'm hesitant to dive into something that is now 15 plus years old. I think we're far better off simply driving right into current stories. That's what seems most fair to readers, as anything else ends up with multiple pages of explanation."
It's been 15 years since volume 2? Thanks for making me feel old, Dan.
All kidding aside, one of Jurgens' greatest strengths as a writer has always been an ability to blend the old and new so that new readers don't feel excluded while still winking at longtime fans. While that can occasionally be frustrating — no, seriously, *who* is the Black Beetle? — we have to recognize that's how comics worked throughout their heyday, and if a publisher isn't attracting new readers, they might as well go ahead and close up shop.
On a personal note, I should mention that Jurgens' "big tent" approach to comic book universe continuity has also made building this site so much fun. It's easy to imagine that all of Booster Gold's adventures have happened to a single character in a dynamic universe when the artist shepherding that character's growth has been so careful not to infringe upon the creations of the many other artists contributing to the ever-expanding multiversal tapestry. Jurgens knows that the first principle of good collaborative storytelling is learning to say "Yes, and...."
I strongly recommend that if you haven't already, you drop by Nerdist.com to read Eric Diaz's article. As I said above, it's got pictures. You *definitely* want to see the pictures of Ryan Sook's art.
And I suppose it probably goes without saying that you also *definitely* want to buy Blue and Gold when it comes out in three weeks.
Friday, June 11, 2021
As pointed out to me by Rob Snow, New York Comic Con and Metaverse Comics has released a 45-minute long video interview with Blue and Gold creators Dan Jurgens and Ryan Sook to promote the upcoming series.
The creators talk about what kind of story it will be, whether or not new fans will have any idea what's going on, and which of them feels more like Booster and which feels more like Beetle. (Spoiler Alert! It's exactly the ones you expect.) They even screenshare some artwork and script plans. I'd say it's worth a listen for die-hard Booster boosters.
Thanks, Rob, Jurgens, and Ryan (and interviewer Mike Negin)! Blue and Gold is set for a late July release.
Friday, April 30, 2021
As all Booster boosters know by now, DC has announced a new Blue Beetle/Booster Gold mini-series coming in July 2021. What you may not know is just how long it has taken to get to this blessed event. What follows is the third in a series of three posts that originally appeared here on Boosterrific in June 2011:
After reading an interview in 1988's Direct Currents #8 with Dan Jurgens and searching through the letter columns in early-1990s Justice League America comics (part 1 and part 2 of this series, respectively), I decided that it was time to go straight to the original source and ask Dan Jurgens about the fate of The Blue and the Gold series that he was once so excited about.
BOOSTERRIFIC: Looking back, I came across a copy of DC's DIRECT CURRENTS promotional flier which featured an interview with you in it's "People at Work" segment (DIRECT CURRENTS #8, August 1988). In that interview -- interviewer unknown, though Paul Kupperberg gets writing credit -- largely promoting your work on FLASH GORDON), you mentioned an upcoming project:
"And, of course, the one project I'm really excited about is something that DC's still got in the planning stages, called THE BLUE AND THE GOLD, a new series starring Booster Gold with the Blue Beetle. They've gotten real popular as buddies in Justice League International, so I think a book co-starring the two of them is a natural. It's going to have that unique JLI flavor to it."
Clearly that book never materialized. Do you remember anything about this planned series, such as how far into development it might have gotten or what finally prevented its publication?
DAN JURGENS: Yes, that was definitely on the board a couple of different times. There were, I think, three different times when we were just about to start working on it and then something would come up that prevented us from doing so. Generally, I think it was my overall workload, or an idea to hold it off for another event or something like that. I think there were even some points where we were going to try to tie in with a specific JL event, and then I got too busy to do so.
It's odd, because it was everyone's intention-- DC included, to actually get it done.
BOOSTERRIFIC: You state that the delays may have been cause by your workload. Was this book -- presumably an ongoing -- your idea, or did an editor at DC assign you this project? Did DC never consider handing the project off to another writer/artist?
DAN JURGENS: It's impossible for me to answer the question of what DC might have considered, but I don't remember any discussions of another creative team. We did play around with the idea of someone else writing the book-- Mike Carlin-- for awhile, which would have been a lot of fun. We probably thought of it more as a mini-series because that was a good way to introduce a book at the time.
But I was really, really busy with a lot of stuff-- and any window I had to fit it in seemed to open and close in a hurry.
BOOSTERRIFIC: During the several years where there was a possibility this thing would go to market, was any actual work -- scripts or art -- done, or did it never make it out of the planning stages?
DAN JURGENS: No scripts or art were ever done. Lots of conversations and ideas and we got as close as thinking we'd be starting in the next three or four weeks, but something always came up. I couldn't tell you what each of those events might have been, however.
Comics were like that then. In terms of planning, things were a bit more loose than they are now. We'd often have those, "let's do this!" types of conversations that would sometimes become a reality, other times not. There have been several times when I was part of a project that I truly thought would happen, but for whatever reason didn't. Or would kind of morph into something else.
BOOSTERRIFIC: I was surprised to see you mention this project in 1988. For awhile it was promoted in the letter column of the Giffen/DeMatteis JLI. You may not remember, but I would be interested to know at what point you recall this project being finally cancelled (or at least so far on the back burner that no one discussed it anymore)? Was the window of opportunity closed for this project by the time you took over as JLI scribe in 1992 (at which point you wrote/drew Booster and Beetle monthly)?
DAN JURGENS: The project wasn't ever cancelled, so much as it simply didn't happen. If there's no true, official start, you can't cancel it after all. We had the best of intentions but it just didn't materialize.
I do think that by the time I took on JLA that we sort of saw that as a Blue and Gold vehicle, especially since it was such a good opportunity to tie the book into the "Death of Superman" story.
So that's that; the story of The Blue and Gold series that almost was. Boosterrific.com offers a hearty thank you to Dan Jurgens for his time and generosity in indulging us with an interview about a comic book he never worked on... until now. 😉
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