My two favorite muppets as my two favorite heroes, as sketched by illustrator Neil R King, aka BoldFacedComics on DeviantArt.com.

For the record, that's Waldorf wearing Booster's gold and Statler in Beetle blue. Those two old grumps have never dressed better.

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It is a cliche in superhero comic books that characters die and then get better. The trope was well established by the time Superman's funeral ignited the general public's imagination, but ever since 1992, you simply aren't a real super hero until you've returned from "the other side" at least once.

Booster Gold joined that not-so-elusive club on this day in 1994 between the panels of Justice League Task Force #13.

At the time, the Justice League had been fractured into three groups with incompatible philosophies about what constituted "justice." Wonder Woman's "international" faction was most in line with the historic methods of the team as the strong arm of traditional, established political authorities. Martian Manhunter's task force was also aligned with the United Nations, though it preferred less direct means of diffusing problems. Captain Atom, on the other hand, championed more unconventional and forceful means of "extreme" justice, fighting fire with fire, so to speak.

These internal differences were exacerbated by the threat of the alien Overmaster, who had returned to Earth (after a previous encounter with the Justice League a decade earlier) in order to eradicate humanity. He had the power to do it, too. The dysfunctional Justice Leagues America, International, and Task Force have to put aside their differences to stop him. The crossover event, titled "Judgement Day," reads better than many of DC's official "Crisis"s.

Usually, comic book deaths are used as a cheap trick to ramp up the stakes, tug at the heartstrings, or inflate the threat posed by the bad guy. Booster was lucky. He died in a good story that respected established characterization. Specifically, his death was a side-effect of his overconfidence that history couldn't ever be changed, a misunderstanding with tragic consequences.

Of course, that wouldn't mean much unless Booster recovered to learn from his mistake. Spoiler alert: he did.

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Roll into the weekend with some colorful fan art featuring our favorite duo:

You can see more work by Steph, aka SketchItBucket, on DeviantArt.com.

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Booster booster Aaron Hale is currently selling ten pages of the original color guide for Justice League International #25 on eBay.com.

What's a color guide, you ask? Time for a brief history lesson!

Computers and modern printing techniques have changed things, but for most of the history of comics, all hues were printed from a few shades of one of three distinct colors. Below is artist Todd Klein's color chart from the 1980s when he worked at DC Comics. It has codes for each possible color, where "Y" stands for yellow, "B" for blue, and "R" for red. The "2" meant 25% saturation, "3" was 50% saturation, "4" was 75% saturation, and no number was fully saturated, pure color. When JLI #25 was released in 1989, 124 colors were possible.

DC colors on cover stock via KleinLetters.com

Like a kid with a single box of crayons, the colorist filled in the black and white drawings with watercolor paints to match those colors. The less fun part came after the paint dried. That's when the colorist had to go back over their work to provide the printer of the comic with an appropriate code for each color used so that the image could be reproduced. The colored and coded page was called a color guide, and that's what Aaron is selling.

Justice League International #25, page 11, panel 1 as planned

(If all that sounds like a lot to do, keep in mind that it was followed by a much more labor-intensive process called color separation. Using the coded pages of the color guide as their template, the color separator would paint sheets of acetate to be used when photographing the original art for transfer to the four printing plates needed for the CYMK color process. Printing comics was hard work!)

Justice League International #25, page 11, panel 1 as printed

Aaron's auction ends tomorrow, so don't drag your feet. If you'd like to lay your eyes (or your hands) on a bit of Blue and Gold history, hurry over to eBay.com today!

(And if you'd like more information about how comics are made, check out Todd Klein's fine blog at kleinletters.com or Klein's book co-written with Mark Chiarello, The DC Comics Guide to Coloring and Lettering Comics.)

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We're less than a week away from Heroes in Crisis #6 of 9, which means we're pretty close to learning the truth behind who killed everyone at Sanctuary. It seems like a good time to talk about Booster Gold's mental health.

Clearly, Booster has been mentally struggling with fallout from his incredibly stupid actions in Batman #45. I had complained at the time that Booster's reaction to Green Lantern's graphic on-panel suicide was inappropriate — and it was — but I'm willing to concede that Tom King was trying to make a point in his own way about how the human brain reacts unpredictably to such trauma.

And how is Booster Gold reacting to that trauma? His symptoms as exhibited in Heroes in Crisis look like an aggravated case of Post Traumatic Stress Disorder, which is exactly what press reports advertised King wanted to address in this series. PTSD is triggered by extreme trauma with common symptom including avoidance of repeat stimuli, willful memory loss, and hallucinations. Booster has spent most of the series hiding from just about everyone, so check one. And he claimed he couldn't remember exactly what happened, so check two. But hallucinations? Maybe those too.

As Frankie Hagan pointed out in blog comments last month, so far in Heroes in Crisis, no one seems to have noticed Blue Beetle other than Booster Gold, which certainly suggests that the Blue and Gold reunion may be all in Booster's head. I don't know what that says about Booster Gold, but if it turns out to be true, it may be even more disappointing for Booster Gold fans than if our hero turns out to be a mass murderer.

Speaking of murder, that's the real question, isn't it? Is Booster's mental illness severe enough to drive him to kill? Statistical evidence indicates that there are indeed links between PTSD and increased rates of outbursts of anger and violence. However, the odds that PTSD would unbalance a hero enough to engage in a spree killing remain remote.

Experts say that the biggest indicator of how an individual may respond to PTSD is that person's pre-trauma personality. It's true that Booster Gold has always had his own set of foibles, yet he has never killed anyone, even when given the opportunity. At heart, he's no murderer, no matter what Tom King wants to imply.

We'll find out more about Booster Gold's health when Heroes in Crisis #6 is released February 27.

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