On Monday, I linked to a CBR interview with Dark Crisis writer Joshua Williamson. When I wrote that post, I didn't realize that Williamson had already tweeted Ethan Young's alternate cover for Dark Crisis #3 which features Blue and Gold:

No front-facing camera, Harley? Is that an iPhone 3?

That group is what CBR called the "Not Really" Justice League that Jon Kent will form in the wake of the Justice League's apparent death in Justice League #75. Williamson's tweet emphasizes "THERE IS NO JUSTICE LEAGUE." Given the League's history, that sounds especially ominous.

Longtime Booster boosters may recall that in the absence of a Justice League following the events of Infinite Crisis, Firehawk organized a new, self-proclaimed Justice League during the year-long 52. It lasted 18 pages before being defeated and disgraced... by Skeets.

See, a wormhole had opened in present-day Metropolis and a swarm of pirates had just descended on the city streets....
In hindsight, that probably should have been a job for Superman.

(Technically, that new League was thwarted by Skeets' corporeal body but not its consciousness, although that opens a whole 'nother can of unresolved worms about whether or not Skeets is truly sentient. But I digress.)

Of course, Firehawk's team didn't have a Booster Gold, much less two Blue Beetles. (And they presumably won't have to fight Skeets.) So maybe Superman Jr's team will have better luck against the all-consuming evil that effortlessly disintegrated Superman, Wonder Woman, and Martian Manhunter among others.

I wish the Not Really Justice League all the luck when Dark Crisis #3 drops this August. They're going to need it.

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I was surfing the web this week (when I should have been working — that's what the web is for, right?), and I happened to see the following in the superfriends.fandom.com article about the Golden Age comic character Funnyman:

DC comics featured a cameo of the character in the series "52", as one of the heroes carrying the coffin of Booster Gold.

First, a little background on Funnyman, a very late and even more obscure entry in the Golden Age of heroes. Here he is making his first public appearance in Funnyman #1 from Magazine Enterprises Inc, January 1948:

So far as origin stories go, that certain is one.

If you've heard of Funnyman at all, it probably has nothing to do with his heroic takedown of rivals Laffman and Comicman. No, it's probably because of who his parents were: Funnyman was the final comic book collaboration of Jerry Siegel and Joe Shuster, the same guys who came up with Superman.

Super heroes were out of vogue by the late 40s, and Funnyman failed to find an audience. He disappeared for decades, only returning in 1977 to make a brief cameo in his civilian identity, Larry Davis, for a celebrity telethon for DC Comics' The Super Friends #5:

words by E. Nelson Bridwell, art by Ramona Fradon, Bob Smith, Jerry Serpe, Milton Snappin

I see what you did there, Superman.

I recently read that issue of The Super Friends (as reprinted in the Showcase Presents: Super Friends collection), and that's what brought me to look at the Fandom Superfriends wiki.

Which is wrong.

As presented in 52 Week 18 way back in 2006, the scene of Booster Gold's funeral was a sad affair that looked like this:

As you can see, in addition to mild-mannered newspaper reporter Clark Kent, the only heroes in attendence were his pallbearers, a motley group of fringe players hired by Skeets. Those heroes were, in order by their position on the casket:

• Mind-Grabber Kid (first appearance Justice League of America #70, 1969)
• Beefeater (first appearance Justice League Europe #20, 1990)
• Odd Man (first appearance Detective Comics #487, 1979)
• Blimp (first appearance Showcase #62, 1966)
• Yellow Peri (first appearance The New Adventures of Superboy #34, 1982)
• Honest Abe (making his debut appearance)

Though he certainly fits the theme of an obscure superhero with a silly gimmick and a desire for greater recognition, Funnyman is definitely not among the bunch.

Which is probaby a good thing. Funerals don't have much use for comedians.

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Booster Gold has topped yet another CBR listicle, this time "10 Most Bizarre Alter Egos DC Heroes Have Used" by Scoot Allan.

Quoth the article:

1 Booster Gold Faked His Death And Disguised Himself As Supernova During 52

DC launched a weekly comic series called 52 following the events of Infinite Crisis that explored a year in the DC Universe without Superman, Batman, or Wonder Woman. A mysterious new hero known as Supernova appeared in Metropolis that kicked off an ongoing mystery about the man behind the mask.

While many thought it was Superman, it turned out to actually be Booster Gold, who had faked his death in order to stop his corrupted robotic pal Skeets. What's really bizarre bout the Supernova identity is that it was also used by Booster Gold's ancestor Daniel Carter and then stolen by Booster Gold's father from the future, making it a multi-generational costumed alter ego.

First of all, let me say that if you have not yet read 52: why not? It's no accident that issue 15 made my list of the twelve best Booster Gold stories.

Secondly, the Supernova identity is more bizarre than even Scoot's two understated paragraphs imply. (Hint: it involves Superman pretending he's Batman.) For more information on the Silver Age comic book origins that inspired Supernova, I strongly encourage you read the July 2019 Boosterrific Blog post "Sunshine Supernova."

And thirdly, I'd say that Supernova isn't Booster Gold's most bizarre alter ego. That honor goes to Bloodspot.

JLA: Incarnations #6

Comic books are the best kind of weird.

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My list of the twelve best Booster Gold comics is presented in chronological order of publication. Otherwise, entry number 8 would have appeared much higher.

May I present to you the glory that is 52 Week Fifteen, the "Booster Gold Memorial Issue" and one of the earliest inspirations for what would become Boosterrific.com.

Art by J.G. Jones, color by Alex Sinclair

Spoiler Alert: Booster Gold dies in this issue.

For most of the early 2000s, Booster Gold was an afterthought, a wash-up has-been of a hero out of the public eye. His time in the shadows was preparing him for a new turn in the spotlight. But before Booster could soar, he had to fall. When Booster Gold does something, he doesn't settle for half measures.

If I didn't know better, I'd say don't be so hard on yourself, Booster. But this is only the first level of the inception.

Re-reading those panels once you learn who's wearing the Supernova costume and why, you'll start to see the play within the play. (Booster Gold as a Shakespearean tragic hero? Yes, please!) Who can't respect a character who is willing to go that far to save his friends?

I'm hesitant to say too much, as the Booster Gold story running throughout the ensemble series is as much a mystery as it is a tale of redemption. If you've never read 52 cover to cover, do yourself the favor of correcting that mistake. With all due credit to every writer, artist, and editor involved (including Dan DiDio), I say that 52 is about as great as long form American super hero comics storytelling can get.

And issue 15 is particularly good, certainly good enough to be included among the twelve best Booster Gold comics.

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Introducing Booster Gold to a whole know audience, 52 transformed our hero from a much-maligned B-list wannabe into The Greatest Hero The World Has Never Known.

Thanks to the talents of J.G. Jones and Alex Sinclair, the series has a bunch of great covers, some of which don't even feature Booster Gold. However, one stands above the others in my lists of favorites: the cover to 52 Week Fifteen (2006).

Art by J.G. Jones, color by Alex Sinclair

The cover is deceptively simple, conveying a very complex situation with a minimum of content. Too many modern comics eschew character dialog on their covers and as a result look like nothing more than out-of-context pin-up splash pages. However, this issue leans into the photographic trend by emulating the cover of photo-news magazines like Newsweek. The effect adds realism (and thusly viewer engagement and empathy) to the apparent tragedy it shows. What's happening here? Inquiring minds want to know!

Though it makes good use of the modern "no speech balloons" aesthetic, it also calls back to the Silver Age of DC Comics when covers were created first and the writers had to solve the challenges they teased. Booster Gold's broken goggles, blood, Supernova floating above the Metropolis skyline... the cover promises volumes before you ever turn a page. In addition to good art, it's also good storytelling.

And the best part is that the context of this image changes once you've finished the whole series and look back at it.

Now that's Boosterrific!

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