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Showing posts 0-5 of 24 matching: rant
Monday, November 9, 2020
If you read Detective Comics #1027 back in September, you might remember its last page:
When I saw that last panel, I thought, "what the heck is Generations: Future State?" The answer wasn't immediately clear because DC was keeping its plans to itself.
We eventually learned that Future State is going to be a two-month alternate-Earth event interrupting whatever it is that passes for continuity in the DC Rebirth Universe. But how would this new title connect to Dan Jurgens' Generations comic which we'd already heard solicited as Generations: Shattered? (Or was Generations: Shattered a different book altogether? How many Generations books were there going to be?)
Despite what we may have guessed, according to Newsarama Senior Editor Chris Arrant, they aren't related at all.
"Originally, we were going to touch on what's coming with Future State," Dan Jurgens, one of Generations' writer/artists told Newsarama. "We're detouring from that a bit to focus more on our own story."
In other words, for readers under the impression that Generations: Future State #1 (as mentioned in Detective Comics #1027) on September 15 and Generations: Shattered #1 announced by DC on September 9 are two distinct projects, they are not. They are one and the same. The one-shot was renamed from 'Future State #1' to 'Shattered #1' sometimes in between its September 9 announcement and whenever Detective Comics #1027 went to the printers prior to that. DC has also seemingly made the editorial decision to remove any story connection between Generations and Shattered.
The 'Generations' story will play out next in January 5's Generations: Shattered, and then continue in February with Generations: Forged.
Whew, 2020 has been a mess, hasn't it? Thanks to Newsarama for finally setting that record straight and untangling all those names and projects. (I recommend that you read the full article at at Gamesradar.com for all the details.)
Personally, I'm glad that the two events are unlinked. Future State sounds like it's going to be a lot, and I still suffer a little PTSD from trying to keep up with all those Convergence mini-series back in 2015.
Monday, September 7, 2020
I realized last week that I am not enjoying comics as much as I once did, as I have for most of my life. I'm not sure it's comics' fault. Twenty-twenty has been a rough year for everyone, and it's still far from over. Maybe I'm just having a mid-year crisis.
The last time I felt this way about comics was in 2011 when the New 52 initiative steamrolled over the post-Crisis on Infinite Earths DC Universe. I got over that (forgiven, not forgotten). Maybe I'll get over this. But there is another, bigger problem that's cropped up since 2011: I don't enjoy going to the comic shop anymore.
A couple of years ago, ownership of my Local Comic Shop changed hands, and the people I used to know who worked and shopped there are long gone. You really don't know what a difference it makes to have a great relationship with your Local Comic Shop until it's gone. Even before the pandemic started, the new management with its new business philosophy began cutting orders to reduce stock beyond pull requests, and I'm starting to discover that they often don't have books I want after final order cutoff. (Not that I want a ton these days. I could complain about so many things, but let's say no monthly ongoing featuring Booster Gold is the tip of that iceberg.)
Comics have gotten expensive enough that I was already watching the proverbial purse strings. Now, in addition to exorbitant cover prices, will I have to add the time cost traveling an hour or more to find the few books I want? Or worse, will I need to add the price of shipping to any future acquisitions? If I didn't already have a basement full of long boxes holding decades of stories, I might consider going digital, but the publishers charge the same price for paper as they do for DRM rentals. After decades of being told that by publishers we have to pay more for the good paper, there's no way I'm paying the same price for a comic "printed" on virtual pixels. (I assume the publishers do that to appease the direct marketeers. I, however, am not one of those, and I feel very unappeased.)
That's all to say that it's starting to become a hassle for me to get my hands on the comics that I'm not even sure I want to read anymore, and I'm frustrated that I don't have any good solutions for those problems right now. Maybe I will later.
Can 2020 please end soon?
Monday, July 20, 2020
Not even a pandemic can keep Cort Carpenter's Booster Gold sketchbook closed. Take a look at his latest additions:
Travis G. Moore
Not a stinker in the bunch! (I could probably use that last one as one of my corner box images.) You can see all these and more at imgur.com.
Stay safe, Cort. No matter what else happens in 2020, the sketchbook must survive!
Friday, June 26, 2020
Not so long ago, Booster booster Fin called my attention to a comic I had long overlooked. It wasn't a missed Booster Gold appearance. Not quite, anyway.
Just see if this banter doesn't sound familiar:
art by David Williams and Kelsey Shannon
Those panels are from The Authority: The Lost Year, a series in which the Authority bounced from one alternate universe to another. (This was back in 2010, before the New 52 folded the Wildstorm Universe into the mainstream DCnU.)
Issues #8 and #9 were written by Grant Morrison, Keith Giffen, and J.M. DeMatteis and featured an alternate universe in which the local Authority looked and acted a lot like a particular, best-selling DC Comics team of the late 1980s.
The meta-textural take on the Justice League International by the JLI's original writing team is delightful, especially as contrasted with the modern, no-nonsense Authority concept (itself strongly reminiscent of the extreme 1990s love affair with "mature" sex and violence content).
As you can see, that's Blue Beetle in the role of the Authority's Midnighter (a Batman-like vigilante) and Booster Gold as Apollo (whose character is a riff on Superman — so fitting!) In their original continuity, Apollo and Midnighter are a homosexual couple, allowing the issue's writers to directly tackle the longstanding Boostle phenomenon 'shipping Blue and Gold into a romantic relationship.
I'm sorry I hadn't realized this book existed sooner. Thanks, Fin.
Monday, May 4, 2020
Start your week with Booster Gold sketch art courtesy of Booster booster Steven Palchinski, who graciously offered to let us gaze into his sketchbook of Booster Gold and Friends.
Randy Rantz Kintz
Freddie E. Williams II
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