Last week's featured book, Booster Gold #23, was just one of three comics with significant Booster Gold content released on September 15, 1987.

The second is Millennium #1, the first entry in a months-long event that would span the entire DC Universe. If you are familiar with Millennium, you are probably aware that it is... not especially beloved, largely because of the editorial mandate that each series being published had to tie-in, often in the most ham-fisted ways possible.

Especially in relation to Booster Gold.

But that's not the topic at hand. Even misguided comics can have fun pages. A highlight of events like these is always seeing all the heroes milling around as though they were regular partygoers at a costume party, like this crowd scene from page 14.

It's actually kind of difficult to make these overcrowded group shots work as anything other than a class photo, but here artist Joe Staton and letterer Bob Lappan manage to give the scene some life as the dialog trickles back and forth down the page. Each snippet of conversation gives the impression that we're eavesdropping on natural dialog just as the camera comes to focus on the talker (or thinker, as the case may be).

Most importantly, Booster boosters are guaranteed to enjoy a callback to the running joke of people calling our hero "Buster." It's a classic!

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Booster Gold #23 is the last adventure of Booster's first volume untainted by editorially-mandated connections to the mega-crossover Millennium event. In hindsight, that makes this comedic exchange between Superman and Booster Gold from page 19 even more poignant.

Pay particular attention to how the content of individual panels flows down and across the page as the scene gradually transitions from the victorious heroes on the top of the building who shrink down to a worm's eye view the giant head of villainous mastermind Lex Luthor at page bottom. The use of a Dutch angle perspective at the page bottom even leads the reader's eye back up the page to reinforce Luthor's contrast with smiling Superman! What a nice finishing touch.

Dan Jurgens' greatest artistic strength has always been laying out dynamic action scenes that enhance a story's narrative flow, and that's perfectly on display here.

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Last week's "favorite page" subject was Action Comics #594, which ended on a cliffhanger. But today's featured comic isn't the continuation of that story. No, we'll get to Booster Gold #23 later.

Released a week before BG #23 was was the unrelated, standalone Justice League International #8, perhaps best known as the first appearance of what would become the JLI's signature catchphrase: "bwah-ha-ha!"

Even more significantly, it's also the dawn of what will become the DC Universe's greatest comedy double act. Do you know who I'm talking about?

Although Booster Gold and Blue Beetle had both been members of the JLI for a couple of months, this issue is where the bromance really begins. As you can see, their relationship was built on a foundation of mutual respect.

Bwah-ha-ha, indeed.

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So far this series has only featured pages from books in which Booster Gold has appeared on multiple pages. But I'm about to break that rule, because Booster's actually seen on only in one page of Action Comics #594!

Hint: it's not this one:

The loose sketchiness of John Byrne's art here is well suited to the big, dramatic motion in its panels. It reads well, unencumbered by unnecessary detail.

And, of course, as a proud supporter of Team Booster, having Booster crash Superman's traditional "Look, up in the sky" introduction before destroying the Man of Steel's overblown image is an extra nice touch. Bwam!

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As Brandon has accurately pointed out in comments on other entries in this series, Booster Gold #22 is indeed a downer. Bad things happen to Our Hero, and worse things happen to his family. But that drama actually makes for a pretty good comic book.

One of those bad things is a large gray monster more powerful than the assembled might of the entire Justice League International.

In hindsight, especially under the direction of Dan Jurgens, this feels more than a little like a Doomsday scenario, don't you think?

Page 10 above is certainly a lot of fun, but it's hardly the only great page. Page 13 is also a blast — or perhaps I should say a "ba thooomm"? — and pages 18, 19, and 22, though less fun, are masterfully delivered full-page compositions. If you chose any of those as your favorite page of the issue, I certainly wouldn't argue.

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