A few days ago, Booster Gold creator Dan Jurgens made a pretty strong statement on Twitter.

The inspiration for Jurgens' comment was Booster booster Keith Callbeck's post of Ross Pearsall's Super-Team Family mash-up cover of Booster Gold and Blue Beetle running from the Hulk. Pearsall's inspiration was the opening splash page of Booster Gold, Volume 2, #34, drawn by Chris Batista in 2010. Specifically, it is this panel by Batista that Jurgens takes issue with:

It's easy to understand Jurgens' dissatisfaction with Batista's choice of poses and expressions. That panel has gained some traction on the Internet in recent years. You may have seen it copied by Blue and Gold cosplayers. Howard Porter's 2015 cover for Justice League 3000 #12 saw a similar scene of the panicked pair.

That wasn't always their reaction to trouble. In their Justice League International heyday, Beetle and Booster were chased by mobs of angry citizens, vampires, middle-eastern dictators, runaway islands, demons, and countless super villains. Yet Kevin Maguire, the artist most associated with the Blue and Gold pairing, never showed Blue and Gold turning tail in fear.

So what's the right way to depict Blue Beetle and Booster Gold running for their lives? Here's Dan Jurgens' take on the scenario in Booster Gold, Volume 2, #7 (2008):

Ok, so maybe Beetle is still scared. But look at Booster. What a hero!

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In celebration of the 30th anniversary of the first appearance of Booster Gold, I've spent the year asking Dan Jurgens questions about Booster Gold's earliest adventures. Today I conclude this year-long column with two final questions about Booster's powers.

In the pages of Secret Origins #35 (1989), Mark Waid pointed out that all of Booster's original powers and abilities were based on equipment found in Superman's pre-Crisis on Infinite Earths adventures, including Superboy's Legion flight-ring, Brainiac's force-field, and Lex Luthor's power suit. Most of those original powers are still part of Booster's ability set today, except for the Mass Dispersal Force, originally based on Jor-El's Phantom Zone Projector.

Being able to dematerialize and rematerialize matter at will is a pretty significant power. I asked Jurgens why it faded into the land of forgotten powers so quickly.

People seemed to have a hard time grasping what it was.

On top of that, I'd had a conversation with a couple of people at DC who thought it seems a bit too "magical". So, with that in mind, we dropped it.

On the other hand, one of the most enduring components of Booster's power set didn't have any clear antecedent: his Booster Shots ray blasts.

What could have inspired Jurgens to give Booster ranged gauntlet attacks? And perhaps more importantly, which came first, the power or the "pun"-ny name?

Good question!

The name really did come first in that case. I had been scrawling ideas in a note bad -- just sort of an idea matrix, if you will -- and wrote down "Booster Shots".

Once I did that, I simply had to find a way to use it!

There you have it. (And yes, I did save that one for last because Jurgens said it was a good question. Hooray, me.)

Thank you, Dan Jurgens. I've really enjoyed quizzing you on thirty-year-old trivia.

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These days, the DC Universe seems to be chock full of secret organizations of dubious morality. There's nothing new about that. In fact, Booster Gold's 1985 nemeses, the 1000, was a rebirth of the 100, which originally debuted in 1970.

Of course, the 1000 did have something none of the other clandestine organizations have had: a Director of Death!

The Director was a typical power-mad dictator wanna-be who had a mad-on against Booster Gold. By making Booster's first archenemy a corrupt politician desperate for more power, was Dan Jurgens drawing an intentional contrast against Booster's origins as a corrupted athlete desperate for attention?

I put the question to Jurgens himself.

Somewhat, but not entirely.

If I'd gotten too close to Booster, it might have seemed too "one note".

So the actual difference worked well. The Director craved power whereas Booster simply wanted fame and money. I think one of the attractive things about Booster is that a simple desire for recognition and wealth is really easy to relate to.

The Director could have been the head of any number of evil organizations. As a follow-up question, I asked Jurgens whether it was determined the Director and the 100 would be Booster's first foes before or after it was decided that one of the organization's oldest foes, Thorn, would be Booster Gold's first guest star?

That was actually decided before the firm idea of adding Thorn.

I always thought the idea of Thorn fighting the new 100 and having the numbers to go with each one she took down was cool. Though I always wondered why they didn't just add more guys to replace the fallen.

There you have it. It takes a Director to have a direction.

Thanks again to Dan Jurgens, whose Booster Gold #1 hit newsstands 30 years ago today.

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Russ Burlingame finally got around to releasing his 30th anniversary interview with Booster Gold creator Dan Jurgens on ComicBook.com last week. It was totally worth the wait.

Burlingame: Is there anything you would have done differently in that first series?

Jurgens: It's funny. The biggest discussion at the time perhaps was, when we started off with issue #1, does the world know who Booster is, or are we getting him at Day One? In other words, is he already partway into being the character he's going to be, so we can play up those differences? We actually had a lot of discussions about that and my feeling at the time was to get him halfway into it. If we start from Day One, and we get those first struggles, that we can't immediately show that which makes him different.

I'm not sure that was the right way to go, I'm not sure it was the wrong way to go, but I think there would have been ways to do it better, and if I had it to do all over again, I think that humor would have still been part of the book but I would have gotten more drama into it with heavier-duty villains, stuff like that. And some of the later stuff we saw, where Broderick came from the future looking for him and stuff like that, I think we should have had him in #1. Let's introduce his own personal adversary from Day One, get him in issue #1 or #2 so he's there and we can already start to set up that kind of confrontation.

Burlingame: When [Giffen/DeMatteis] left Justice League and then you came on, you were there for like six months before Doomsday trashed Booster's costume that began this long odyssey of getting him back to a status quo. Was there a master plan when you did that, or what was the thinking?

Jurgens: That actually came out of a conversation between Mike Carlin and me, where he said "Let's give Booster a little bit of a different look," just to dust it up a little bit. I said sure, that sounds like a great idea. So we started to pursue that at the time. Never in my wildest dreams did I imagine he would end up in that awful, robotic sort of mechanical, big shoulder pad armor. It's like "Oh, my God," but that's kind of where that originally came from.

That's just a sampling. I encourage all Booster Gold fans to visit ComicBook.com for the full interview.

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Today's featured comic book has nothing to do with Booster Gold directly. Booster does not appear appear in 1996's Superman: The Wedding Album", so it's unlikely that he appears in today's re-titled reprint, DC Presents Lois & Clark 100-Page Spectacular.

Still, I would hope that Booster Gold fans would support this issue. Not only was Dan Jurgens a big contributor, but support for this and Jurgens' Superman: Lois and Clark series indicate that there is still an audience for the continuity abandoned by Flashpoint.

If we ever want to see a continuation/conclusion of the stories in Booster Gold volume 2 — Who is the Black Beetle? Who is Rip Hunter's mother? Whatever happened to Ranni? — we need to show DC that we still care.

And, hey, if nothing else, it'll be a nice change of pace to read a comic about a likable Superman again.

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