Look familiar? Today's Booster Gold fan art was created at least 3 years ago.

This piece was commissioned from lavenderpie by drtoof, who posted it on tumblr (in 2012). I'm pretty sure those aren't their real names.

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Our favorite reporter, Russ Burlingame, reports that Alan Tudyk, familiar to Firefly fans as "Wash", says he'd be willing to play Blue Beetle if his pal Nathan Fillion was cast in a movie as Booster Gold.

"If it's working with Nathan, I'm in."

Of course, Burlingame's article at ComicBook.com goes on to clarify that Tudyk doesn't seem to know who Blue Beetle is. Does that matter so long as we get to see friends Fillion and Tudyk yuk it up on screen again as comicdom's best comedic duo?

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It's a time-honored tradition: To get some respect, the new kid on the block has to prove his chops to an established hero. The two DC characters to debut in their own title in the decade before Booster Gold, Black Lightning and Firestorm, had their first DCU team-up with Superman. Booster Gold would encounter Superman, too. But Superman wasn't Booster's first team-up. That honor went to Thorn.

You remember Thorn, right? Whenever Rose Forrest fell asleep, her alternate personality came alive and fought crime. (The first rule of Rose and Thorn is don't talk about Rose and Thorn.)

Thorn specifically focused her wrath on the 100, a criminal organization responsible for her father's death. Moderately successful, she eventually teamed up with (who else?) Superman before fading into the background of DC's shared universe.

So why did every other DC character get a career booster from Superman, but Booster Gold had to settle for Thorn? I asked Dan Jurgens that question.

First of all, I found her to be an amazingly interesting character.

Plus, since [Rose and Thorn] hadn't appeared in such a long time, it was fairly easy to adjust the character a bit. Tweak the costume, etc. Tailor it to Booster a bit more, that kind of thing.

I also asked Jurgens why he didn't include a cameo for the 100's other major nemesis, Black Lightning.

We actually talked about it a bit but realized that we had Thorn already and were going to have Superman showing up quite soon, with the [Legion of Super-Heroes] soon after. We didn't want it to become a full time guest star series.

And there you have it.

Thanks to Dan Jurgens for answering "just one more follow-up question" over and over again.

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Maybe Booster Gold should have a wife. That alone would differentiate him from every other hero of this current generation.

Last week's poll question: Should Booster Gold have a love interest? (46 votes)

Earlier this week, Morgenstern posted a link in the Boosterrific Forum to a Youtube video in which Skeets was redesigned with a star-shaped viewscreen. Most of us thought that was pretty cool. Maybe it should make its way into canon.

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Brady Kj recently found a Booster Gold cameo appearance in Harley Quinn #20. Naturally, I rushed out to my LCS to pick up a copy. Sure enough, Booster is on the first page as part of one of Harley Quinn's dreams.

I should have stopped reading there. Every character in these pages is, to put it lightly, a jerk. None are worse than the protagonist, Harley Quinn.

There are always problems adapting a villain into a story protagonist. Harley Quinn is implied to have a warped morality, but no morality is present in this issue other than her own. She murders a customer service representative in the busy Los Angeles airport, steals a police car as an officer watches, and pushes a company mascot in front of a bus on a crowded street. This isn't "cartoon violence," either; characters are shown clearly suffering from Harley's actions. Yet no one in Harley's world even attempts to stop her from committing these villainous acts. The only "heroes" present are prostitutes in costumes. Do heroes only exist in Harley's dreams?

Issue co-writer Jimmy Palmiotti liberally sprinkled the same sorts of violence throughout All-Star Western, and it worked there. Bounty hunter Jonah Hex lived in an Old West devoid of law and order. More importantly, despite his flaws Hex was an anti-hero devoted to bringing to justice the fiends who committed these types of atrocities.

By comparison, Harley Quinn is set in modern-day Los Angeles starring a mentally damaged villain. L.A. is not a lawless place located sometime in the distant and barbarous past. What good are Batman and Superman if they let a Harley Quinn run free to murder citizens of America's largest city? What's the point of using L.A. as a backdrop if there's no police or other public servant striving to enforce the rule of law?

I guess what I'm saying is that it damages the verisimilitude a shared comic book universe if inhabitants of that universe are allowed to kill, maim, and steal without recourse. I guess I'm also saying that murder isn't a very funny punchline. But what do I know?

Harley Quinn #20 sold more than 56,000 copies, more than any single issue of Booster Gold outside the "Blackest Night" crossover event. So the next time you question one of DC's decisions, remember that sex, violence, and death sell comics, not story or character. The market has spoken.

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