The old adage says never judge a book by its cover, but that's exactly what comic books expect you to do. If you like what you see on the cover, take a look inside!

Some covers do their jobs better than others. Some are truly outstanding in their own right. Among those is Kevin Maguire's composition for Justice League #4 (1987)

Pencils by Kevin Maguire, Inks by Al Gordon

Maguire's mastery of body language and facial expressions was as important to the success of the "International" era of the Justice League as Keith Giffen's action-packed plots and J.M. DeMatteis' comedic dialogue. This cover doesn't need extra text to grab the reader's attention!

Look at Booster up there: the surprised underdog caught by a larger, unknown villain strong enough to defeat Green Lanterns, Earth's Mightiest Mortal, and (gulp!) Batman. It's a real David-and-Goliath scenario that will play out on the pages inside. Who wouldn't want to read that?

In addition to the promise of action, Maguire also echos the comedic tone of the writing inside with the "cheek"-y placement of that title logo. (Comics Code Authority approved!) Perhaps Booster is shocked that the solid-blue villain who defeated Martian Manhunter isn't wearing any pants. Watchmen was released concurrently with this title, so could that be Doctor Manhattan "moon"-lighting in the DC Universe? My curiosity is piqued! I guess I'll have to pick it up and look inside.

It happens that Justice League #4 doesn't just have one of my favorite covers. It is also my personal favorite Booster Gold story. It introduced Booster Gold to a whole new audience and did so in a way that demonstrated Booster's humanity and the value his powers could bring to the team. All that is summed-up on the cover. Brilliant!

What are some of your favorite covers?

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With the latest Superman event, "Leviathan," now unfolding in your Local Comic Shop, it's interesting to look back at another Superman event story with a curious connection to real history.

The JLA: Our Worlds At War one-shot, released 18 years ago today, was a middle chapter in the 2001 Superman "Out Worlds At War" crossover event. Booster Gold plays only a very brief role in the event as he, Blue Beetle, Guy Gardner, and Rocket Red fight to defend Russia from an alien invasion. This is Booster's only appearance in the entire comic:

art by Garney, Morales, Horie, Horie, and Starkings

(Don't worry, Booster. Guy get's better.)

It isn't the inclusion of the Justice League International that makes this issue a historic curiosity.

As mentioned, the issue's story details a surprise attack by a malignant force that opposes everything Superman stands for. To frame the magnitude and severity of this invasion, writer Jeph Loeb uses the words of United States President Franklin Delano Roosevelt to draw a direct, overt connection to a real tragedy in American history, specifically the Japanese surprise attack on Pearl Harbor 60 years earlier.

The irony here is that although this issue, with its focus on surprise attacks against America, was released on July 5, it has a cover date of September 2001.

And now you know the rest of the story.

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The greatest movie ever made, Back to the Future, was released on this day in 1985, which makes this as good a time as any for me to run this BttF-inspired fan art I drew in 2011 to mark the end of Booster Gold Volume 2.

It was almost 20 years between Booster Gold volumes 1 and 2. It's only been 7 since the second volume was canceled for the New 52 relaunch, but it feels like so much longer. The future can't get here soon enough! (Maybe we need to get our hero a Delorean.)

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Booster boosters know that much of Booster's origin was based on elements of Superman's Silver Age continuity (as covered on several pages of this site, including the Boosterrific! Blog post from December 4, 2015. But just because Booster became a successful hero in his own right didn't mean he was done "borrowing" from costumes and powers from Superman 's history.

Yes, I'm talking about Supernova.

Introduced in 52 Week 8 (2006), mysterious Metropolis hero Supernova's secret identity stumped even veteran reporter Clark Kent. Few at the time guessed that underneath his mask, Supernova was really the disgraced hero Booster Gold using the powers of flight and teleportation.

How did he do it? His teleportation was a clever manipulation of the Kryptonian Phantom Zone projector technology invented by Jor-El, Superman's father (first seen in Adventure Comics #283, 1961). And he flew by way of Booster's own 30th-century Legion Flight Ring, which in pre-Crisis on Infinite Earths continuity had originally been Superboy's (first seen in Adventure Comics #329, 1965).

The best part is even the concept of Supernova as one-hero-disguised-as-another was a nod to something Superman once did.

cover art by Neal Adams

First seen in World's Finest Comics #178, 1968, the "Nova" persona was adopted by Superman as a way to continue fighting crime following an unfortunate encounter with an alien invader that left him powerless.

Nova used Batman's utility belt as his inspiration to create a costume with its own powers. Amusingly enough, this included a cape created by Leonardo da Vinci that Superman had picked up during an earlier time-traveling adventure. (In fact, Superman and Leonardo da Vinci had worked together as recently as the previous issue!)

The Nova personality was used only for a few misadventures, including a villainous turn against Batman and the triumphant defeat of a criminal mastermind. The costume was eventually shelved as Superman returned to his former costumed identity.

World's Finest Comics #180, by Cary Bates, Ross Andru, Mike Esposito, Ben Oda

Every Nova adventure took place in one of DC's infamous "imaginary" stories, but that doesn't make them any less influential. Booster Gold may be a thief, but at least he steals from the World's Finest!

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On this day in 1988, Booster Gold made the cover of Time magazine.

Starman #1 (June 1988) by Stern, Lyle, Smith, Ferriter

It might be hard for modern audiences to believe, but for most of the 20th century, the cover of Time magazine was among the most prestigious pieces of real estate for notable newsmakers. In other words, if you made the cover of Time magazine, you had arrived.

Even if you had already appeared on the cover of Rolling Stone.

Animal Man #1 (May 1988) by Morrison, Truog, Hazelwood, Wood

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