- Booster Gold
Showing posts 0-3 of 3 matching: ty templeton
Monday, March 4, 2019
Liam Sharp, fellow Brit, said this was the first time he'd ever drawn Booster and really enjoyed it, he even asked me about the history of the character and we had quite the chat, he said he found it fascinating, one of the coolest origins he's heard. Plus I had to see how he'd tackle it, as it could be my only chance to see him do so, very grizzled! I love it.
The ever personable and great Ty Templeton was a joy to listen to. He held many interesting anecdotes of the comics industry. Signed me some Booster Gold and JLI comics too.
Tom Grummett whom was beside Ty did a fantastic Booster for me as well, it was everything I could ask for, it screams Booster Gold to me. The banter between Ty and he was very enjoyable and being able to geek out with them made me adore them all the more as they are just as much fans as we are.
And last but not least, Marcus To. Whom I only knew through some X-Men and Red Robin did a fascinating Poison Ivy for my girlfriend and all his proceeds went to the Comic Book Legal Defense Fund, so I decided to help put money towards some of the greats whom are dealing with pressing issues. Turned out great!
They all look amazing, Cort. Thank you for sharing again.
Wednesday, May 4, 2016
Booster booster Herbert Fung has always been very generous in sharing the Booster Gold commissions he collects from the annual Calgary Comic & Entertainment Expo. In past years, he's collected sketches from Adam Hughes and David Finch. What did Herbert get this year?
Thanks again, Herbert!
Friday, September 25, 2015
As anyone who saw Kevin Smith's Chasing Amy knows, a comic book inker is really just a tracer. But if you look at Showcase Presents Booster Gold, you can see how different "tracers" can influence the final product.
In addition to creating Booster Gold, Dan Jurgens drew every issue of Booster Gold volume 1. But he worked with many different inkers. Mike DeCarlo inked the book for the first year with several others, including Ty Templeton, finishing the run. This resulted in a variety of different looks for the character.
I wondered how much credit these inkers deserve for honing the visual identity of the character, so I put the question to Jurgens himself.
Booster's overall appearance, starting with the design of his costume, his general look, body language, expressiveness, etc.-- all those thing go into creating a definitive look. Far more so than the particulars of inking. For me, once I had the design I wanted, I think 90% of it was locked in.
Not to take anything away from Mike, who did a fine job, but I was doing fairly detailed pencils. Ty brought a sense of smoothness to the overall look of the book while Mike really gave the metallic portions of the uniform the look it needed. I really think that, like many things in life, each of the guys brought something good and different to the series.
Again-- that isn't to take anything away from anyone who worked on the book-- just a way of saying that far more goes into it than a simple question of who inked which issues.
It takes a village to raise a child, especially a troublesome child like Booster Gold.
Thanks to Dan Jurgens for providing so many nice images for others to trace, and thinks to Mike DeCarlo, Ty Templeton, and others to for turning Jurgens' images into our favorite comics.
There have been 2256 blog entries since January 2010.
FIND NEWS BY DATE
SPOILER WARNING: The content at Boosterrific.com may contain story spoilers for DC Comics publications.
Booster Gold, Skeets, and all related titles, characters, images, slogans, logos are trademark ™ and copyright © DC Comics unless otherwise noted and are used without expressed permission. This site is a reference to published information and is intended as a tribute to the artists and storytellers employed by DC Comics, both past and present. (We love you, DC.) Contents of this page and all text herein not reserved as intellectual property of DC Comics is copyright © 2007-2020 BOOSTERRIFIC.com. This page, analysis, commentary, and accompanying statistical data is designed for the private use of individuals and may not be duplicated or reproduced for profit without consent.