Just last week, my chronological collection of favorite pages touched on Justice League International #11. That book was published on November 10, 1987. The following week, Booster appears (mutely) in exactly two panels of the frame story on page 2 of Blue Beetle #22. Two weeks after that, he is in just one panel of a previous issue recap in Action Comics #598. A week later, Booster is depicted in five panels across the 22 pages of Justice League International #12 — three of those in flashbacks!

Which finally brings us to Justice League International #13... which has Booster in exactly 6 panels. Why am I giving you a favorite page from this book and not those others? Although he is rarely seen or heard, Booster's role here is larger than a simple drop-in, drop-out cameo. He's present with his Justice League teammates as the action rises steadily towards the adventure's climax that will play out in Suicide Squad #13, and Booster has a more sizeable part in that melee. So even though Booster's role in Justice League International #13 is limited, it's not insignificant.

But it's not significant enough to make my favorite page.

That's page 8, and it really illustrates what I like best about Keith Giffen's very stylized art (ably aided by Al Gordon's confident inks and Gene D'Angelo's strong color) comprised almost entirely of close-ups and heavy shadows. Maybe Watchmen made me a sucker for the rigid 9-panel layout, but I especially love how Giffen uses it to create three horizontal triptychs — Rule of Three raised to the third power! — to ratchet up both the comedy and the drama. Very well done.

Tune in next time to finally see a Booster Gold panel in Suicide Squad #13!

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Given that I'm calling this series "My Favorite Pages," I feel beholden to only present my favorite page from an issue. And sometimes my favorite page of an issue with Booster Gold in it doesn't have Booster Gold on it.

Such is the case for Justice League International #11.

This is the first Justice League issue to include Booster since he betrayed the team during Millennium, so it's no great surprise that he plays a minor role here. Even if Booster didn't provide much material support for the Manhunter's cause and did ultimately help the heroes triumph, you can't exactly blame the rest of the league for no longer trusting the guy.

In fact, it will be a few months yet before Booster plays any significant role in another Justice League adventure. In the meantime, we always have Blue Beetle.

Yes, Manhunter. I enjoyed it very much.

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DC's 1988 event Millennium is not widely beloved for a variety of reasons — foremost among them for all Booster boosters is that it got Booster Gold cancelled. But what sealed its fate is that it doesn't stick the landing.

The concluding issue, Millennium #8, is 24 pages of just talking and new character introductions. It doesn't feel as much like a denouement for what came before as it does the first issue in a brand new comic book populated by a bunch of badly stereotyped characters with poorly thought-out powers. Blech.

Booster appears in several panels in this turkey, and he's featured equally as prominently as Superman, Batman, and Wonder Woman. Which is to say that they are all extras in the story of future household names Gloss, RAM, Extrano, Jet, Floro, and... Betty.

As it happens, I do have a favorite page in this issue. It's page 5, in which Booster Gold learns that everything he's gone through in the previous seven weeks — losing his fortune, his friends, and his good name — was leading to the creation of a superhuman with the power to arrange furniture for maximum harmony!

I have to believe that when Gloss says "You'll never regret this," she's being sarcastic.

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And so at last we reach the end of Booster Gold Volume 1. It is, without a doubt, the ugliest of all 25 original issues.

Robert Campanella's inks are not a good fit for Dan Jurgens' pencils, and even most of Jurgens' layouts are subpar. Either this issue was rushed through editorial to fit the aggressive Millennium publishing schedule, or all the visual artists involved were in a hurry to move on to greener pastures. Maybe both.

(In my opinion, this issue is the only one in volume one that I think looks definitively superior in the often careless recolored digital reprints over the original newsprint publication.)

It's really a shame about the art, because the Dan Jurgens' script deserves better. It hits all the right notes as it forces Booster to face the down-side of publicity (in an American fast food restaurant) with a Communist providing outside perspective.

It also cleverly draws in the Justice League characters Booster is closest to while setting our hero up for a triumphant come-back in the future. Both of those latter elements factor into my favorite page of Booster Gold #25 (especially Beetle's lecture in panel 2):

Yeah! What Beetle said!

That's what I like so much about Booster Gold. His path meanders, but he always gets to the right place in the end.

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While reading Millennium, it's worth remembering just how unloved Booster Gold was in 1987. This was before the now-beloved "Blue and Gold" bromance, and most DC readers thought very little of a wannabe hero who stole his way to stardom. So it was easy to believe he could side with the manipulating Manhunters.

It's hard to imagine that a Superman might go bad, but Booster Gold? Was he ever really good to begin with?

With that in mind, could there ever be any question about which page is my favorite in Millennium #7?

It might take him a while to get there, but Booster Gold always does the right thing in the end.

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