Dan Jurgens recently spoke to Russ Burlingame about the 25th anniversary of the release of Superman/Doomsday: Hunter/Prey. Booster Gold played no role in that series, yet according to Jurgens, he sort of does.

Burlingame: It feels like, even though this is a very stand-alone book, the Waverider stuff plays into the bigger theme of the Linear Men at that time in the books, which is, "Do something, you jerks."

Jurgens: Right. It's weird, I think I probably didn't realize it at the time, but I look back at this now, and realize that what I was doing, I should say, was assembling a group of characters that I created that would function in that world. I think Jim Starlin did a great job of this. When he was doing Captain Marvel, when he was doing Warlock, he created all these characters. They became very much a part of his writing language, and his visual language. All that stuff existed to the extent that it was Jim Starlin-world. Now we see that times 5,000 on the screen. I think what I was doing was a lot of the same thing, which is I said that I have all these characters that interact and they make sense to me. They don't just have to interact once in November of 1992 and then we never see them again. We can use them to address different ideas and different topics.

They became very much a part of -- this is going to sound real egotistical, and I don't want it to-- it becomes part of like "Jurgensverse," as far as I was approaching Superman a little bit. It made sense to me. Whereas at that time, it might have been [convenience], I look back on it now a little differently. It made sense in a lot of different ways. These are the characters I wanted to continue to explore, and there was no reason they had to interact once and then not interact again.

Burlingame: And a lot of these characters and ideas you would continue to work with all the way up through the mid-2000s with your Booster Gold run.

Jurgens: Also, if you look at Waverider, which was a co-creation with Archie Goodwin, you have all these things that fit together and work. think it's a group of concepts that have been probably under-used by DC. I think there's a lot more than could have been done with it, and fortunately that stuff is still out there, so there's a lot more that can be done with it. I think concepts like the Linear Men, like Vanishing Point, and all that stuff, I think that's the kind of thing that has a place in comics. I think there's some cool things there that can still be exploited, still be used.

There's a lot to unpack in just those few paragraphs, and that's only a tiny snippet of the interview. (By all means, read the whole thing on ComicBook.com.)

The most important thing there, obviously, is that we should be calling Jurgens' oeuvre "The Jurgensverse," and that all the characters in it always were, and always will be, connected. That somewhere in 2019, Trixie Collins could pass Mitchell Anderson in the produce aisle of their local supermarket and give him advice on the best way to pick out a grapefruit, that thought makes me very happy.

It's also worth noting that Jurgens believes that Time Masters and their story-telling conceit of policing history remains an untapped source for future stories in the DCrU. That should be encouraging to fans of Booster (and Jurgens' work), as it means that the possibility still exists to revisit the characters and concepts (and unanswered mysteries) of Booster Gold Volume 2.

Here's to the future!

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In the year 2001, mankind's freedoms were sacrificed for the sake of security by a tyrannical government that seized power after a well-planned attack on American soil. Thankfully, this kind of scenario could only happen in comic books.

On this day in 1991, DC Comics launched their summer crossover series Armageddon 2001. The book was created by an all-star cast: written by Archie Goodwin and illustrated by Dan Jurgens and Dick Giordano. However, it is far more famous for the illogical resolution to its story, which DC changed at the last minute due to the conclusion being leaked to the public. In the non-stop media-hype of the 21st century, that action seems rather quaint in hindsight.

The setup for the story revolved around the mystery of which DC hero betrayed the rest to become a world-dominating tyrant. A time-traveler from the future makes it his mission to investigate the heroes of the 20th-century in an attempt to forestall his own horrible fate. Naturally everyone was a suspect, including Booster Gold.

Honestly, Booster plays only a small part in this story and probably then only because Jurgens was the artist. Perhaps it was too far-fetched an idea that foolish Michael Jon Carter would one day wield the power to control the world. More likely, it may have been impossible for readers to believe that an egomaniac like Booster Gold would rule hiding behind a mask.

Despite Booster's tangential involvement, the story is actually quite entertaining. Betrayal and the temptation of power are themes regularly investigated in super hero comics. This story simply takes those themes to a logical extreme and with the addition of time travel, provides a frame story that allows the creative teams of the era to incorporate the crossover event into their series in organic and entertaining ways.

If you can get past the tragically unsatisfying ending, this 2001, like the year itself, is worth a second look.

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