It might seem a little early for a Christmas post, but it's not. At least not when we're talking about hand-painted Booster Gold Christmas ornaments.

Those ornaments were created by ThePerfectCup, who also makes a Blue Beetle ornament (for the reasonable price of just $15). These ornaments can take up to a month to paint and ship, so if you'd like to see a little Blue and Gold on your tree this year, visit ThePerfectCup on etsy.com today.

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Tough crowd!

Last week's poll question: Which element is most important to defining the character of Booster Gold? (54 votes)

There hasn't been a lot of Booster Gold news lately. As a result, the Boosterrific.com Forum has become a bit of a white elephant. It's never really become a destination for conversations as I had once hoped, and it's been a desert wasteland in recent months. While the forum has its uses when Booster is in the spotlight, I don't like to see pieces around here collecting dust. Has the time come to shutter its doors?

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If you followed the adventures of Booster Gold in the mid-90s, you must be familiar with the work of Dan Vado. Vado was the writer who gave Booster his first suit of bulky 20th-century power armor in Justice League America #80, cut off his arm and killed him (temporarily) in Justice League America #89, then restored what remained of the fortune Dirk Davis had stolen in Extreme Justice #6.

Vado's time writing the character is often overshadowed by the, um, "extreme" art of the era. That's a shame. Vado's writing strongly emphasized the troubles and personalities of the characters in the ensemble cast. Yes, it's all a bit melodramatic, but that was always a component of the International era of the Justice League. Extreme Justice might not have a sterling legacy, but it's really pretty good if you can read it with your eyes closed.

Happy 56th Birthday, Dan Vado. And thank you.

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To those of you who still say Twitter isn't good for anything, I give you this:

This mock-up of Nathan Fillion as Booster Gold came to us by way of its artist, @BossLogic. And, yes, I would pay money to see this in a movie theater.

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As I said two weeks ago, the first volume of Booster Gold was in many ways a re-investigation of the heroic ideal of the DC Universe. But Dan Jurgens didn't draw the line at exploring what made a hero. He also took a hard look at what made a villain.

Jurgens tended to humanize Booster's villains, giving them reasonable backstories that were filled with the same short of hardships that Booster Gold was struggling to overcome. Sometimes that resulted in characters like Broderick or Dirk Davis, but it didn't always work. No matter how much you pathos you give to a color-blind man who dresses like a prism, he's still going to look like a clown.

Of course I asked Jurgens what his motive was for bringing the Rainbow Raider, one of the least successful of Flash's foes, to Metropolis. Why choose him, a villain with a lackluster Silver Age-style gimmick, to feature in a two-part story against a modern anti-hero like Booster Gold?

I though it'd be fun to play off the color angle. Plus, I liked the visual of him riding his rainbow.

Not my best day.

So not everything can be Shakespeare. It's important to remember that sometimes a funny-book is just a funny book.

Despite that Rainbow Raider story, we still thank you, Mr. Jurgens.

(Reminder: no post on Monday because of the Labor Day holiday. Blogging is hard work!)

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