Booster Gold #14 is my least favorite issue of Booster's original volume.

I can't put my finger on just one reason why, but the art is a big part. Jurgens' take on the future of the DC Universe (and sequential-panel storytelling) was clearly being influenced by Frank Miller's The Dark Knight Returns, which had taken the comic-book-reading world by storm earlier that year. What works for Batman doesn't necessarily work for Booster.

It doesn't help that the crowded panels are oversaturated with secondary and pastel colors. I typically like colorist Gene D'Angelo's work, but his color choices, clearly intended to play up the psychological tension of our physically-ailing hero stuck in an era that's out to get him, are perhaps working too well for me.

That said, the issue is not entirely without redeeming value. For example, page 19 does efficiently introduce Broderick, the Dirty Harry of the 25th century. And the final page, with a deconstructed Skeets, builds to a good cliff hanger.

But for my money, the best page in the whole book is this one:

If you couldn't tell before now, I'm a sucker for the Booster/Trixie relationship. Seeing them support one another emotionally in the lamplight.... Yeah. This one's got to be my favorite.

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