- Booster Gold
It has been 68 Days since Booster Gold last appeared in a DCnU comic book.
Showing posts 0-2 of 2 matching: bloodspot
Friday, August 28, 2020
If I write "Deathmetal" and "Bloodspot," you'd be forgiven for thinking I was just a bad typist.
One of the biggest talking points to emerge from last week's FanDome has been the upcoming Suicide Squad movie. Because its central tenant — belied by its title — requires the eradication of its members, the Suicide Squad has always been populated by lesser known villains from the fringe of the DC Universe. As Booster boosters have known for nearly a year, one of the characters in the upcoming film will be Blackguard, the villain Booster Gold fights on the cover of his very first appearance. Blackguard will be played by comedian Pete Davidson.
Another barely known Suicide Squad character who has been creating ripples in the fan press is Bloodsport. That's probably because Bloodsport is being played by Idris Elba. Like Blackguard, Bloodsport made his first appearance on the cover of a comic (Superman volume 2 #4, 1987). Also like Blackguard, he hasn't had a very illustrious career. Think of him as a deranged version of Rambo First Blood Part II who kills innocent people to protest how the American government treated Vietnam vets. It's not creator John Bryne's best work, and there's really not a lot of reason you should remember him.
Unless you have a head for Booster Gold trivia and remember the extremely Boosterrific JLA Incarnations #6, in which Booster Gold parodied the excessively violent, heavily muscled, tank-top and bandanna wearing Bloodsport. About the biggest change Booster made to Bloodsport's shtick was dropping the "r."
Blue Beetle and Booster Gold will always be the real Deathmetal and Bloodspot to me.
Wednesday, October 3, 2012
Eleven years ago today, DC released JLA: Incarnations, an anthology mini-series focused on telling the "untold" stories set a various points in the prior history of the Justice League. Most of the fun and frustration of this series was in seeing how writer John Ostrander would mangle characterization and history in order to squeeze his new stories into pre-existing continuity. Issue #6, published 11 years ago today, was no exception.
This issue contains two stories set about 7 years apart, and both stories generously feature Booster Gold. Booster and Blue Beetle are the protagonists in the issue's lead story, "Buddies." The pair invent the villainous identities of Bloodspot and Deathmetal in order to sneak into the rogue nation of Bialya. As entertaining as the story is, at times almost everything seems to be an anachronism. Errors stretch from DC Universe chronological impossibilities (Mister Miracle's inclusion in events would have been impossible in the time period) to real-world industry conventions (the ultra-violent "grim and gritty" comics that would feature characters with ridiculous names "Bloodspot" and "Deathmetal" wouldn't be published for several years after the era in which this story was set). Even the relationship between the protagonists is blatantly misrepresented (Booster Gold should be playing straight to Blue Beetle's zany ideas, not the other way around).
The other story, "Authority," doesn't do much better. "Authority" details the untold and much-needed story of the dissolution of Extreme Justice, mostly from the point of view of team leader Captain Atom. Booster naturally plays a part in this story as well, although artist Eric Battle doesn't seem to realize that Booster wore more than one costume between the founding of the Justice League International and the conclusion of the Extreme Justice debacle. Again, Ostrander doesn't let history get in his way, as he, like Geoff Johns in the more recent retcon seen in Justice League International Annual, ignores that the United Nations washed its hands of the JLI long before the end of the team. As we all know, DC's writers never let facts get in the way of telling their stories.
That's not to say these stories aren't enjoyable, because they are. Objectively, they are entertaining reads that add to our knowledge of the period they represent. Subjectively, however, they don't quite live up (or in Extreme Justice's case, down) to the era that inspired them. Without hesitation, I recommend reading the issue, but like any story of historical fiction, I'll leave leave it up to the reader to decide how much truth they contain.
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