Introducing Booster Gold to a whole know audience, 52 transformed our hero from a much-maligned B-list wannabe into The Greatest Hero The World Has Never Known.

Thanks to the talents of J.G. Jones and Alex Sinclair, the series has a bunch of great covers, some of which don't even feature Booster Gold. However, one stands above the others in my lists of favorites: the cover to 52 Week Fifteen (2006).

Art by J.G. Jones, color by Alex Sinclair

The cover is deceptively simple, conveying a very complex situation with a minimum of content. Too many modern comics eschew character dialog on their covers and as a result look like nothing more than out-of-context pin-up splash pages. However, this issue leans into the photographic trend by emulating the cover of photo-news magazines like Newsweek. The effect adds realism (and thusly viewer engagement and empathy) to the apparent tragedy it shows. What's happening here? Inquiring minds want to know!

Though it makes good use of the modern "no speech balloons" aesthetic, it also calls back to the Silver Age of DC Comics when covers were created first and the writers had to solve the challenges they teased. Booster Gold's broken goggles, blood, Supernova floating above the Metropolis skyline... the cover promises volumes before you ever turn a page. In addition to good art, it's also good storytelling.

And the best part is that the context of this image changes once you've finished the whole series and look back at it.

Now that's Boosterrific!

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