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Boosterrific.com: The Complete, Annotated Adventures of Booster Gold
Boosterrific.com: The Complete, Annotated Adventures of Booster Gold

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Showing posts 1 - 5 of 32 matching: bert

Monday, September 18, 2023

A Thing I Do Not Know What To Do With

Late last week, Booster booster J sent me a bunch of new sighting of old ads to update the list of Boosterrific Advertisements. However, one of his finds is this:

© DC Comics

That house advertisement comes from Flashpoint Companion, a collection of promotional material — mostly cover art — supporting the Flashpoint event.

So far as I can determine, Flashpoint Companion was a digital only release originally published online in 2012 at read.dccomics.com. Although DC discontinued that subdomain URL in 2013, you can still read it free online via DC Infinite, Google Play, Apple Books, or Amazon (and probably many others).

Other than this two-page spread — essentially a glorified reading list — the only actual "story" inside the book is a two-page "The Origin of the Flash" written by Scott Beatty (which, according to his blog, scottbeatty.blogspot.com, was originally created as a Converse shoe promotion, probably sometime around 2008-2009, as I believe it was included in the DC Universe: Origins collection of the 2-page origins published in 2010 Never mind. It's not in there).

In fact, it's probably worth mentioning that all the art for this promo was pulled from other sources. The central image of Flash comes from an Andy Kubert drawn house ad at the end of 2010's The Flash Volume 3 #1 (as you can see at Flash fansite speedforce.org). The background behind the Flash (a callback to the sublime wraparound slipcase cover for the Crisis on Infinite Earths hardcover by George Perez and Alex Ross) was taken from Flashpoint #5 (also drawn by Kubert).

The crackle section with Booster and Professor Zoom are the covers of Booster Gold #45 by Dan Jurgens, Norm Rapmund, and Hi-Fi Designs and Flashpoint: Reverse Flash #1 by Ardian Syaf and Vicente Cifuentes.

© DC Comics

I don't find print copies of this thing documented online in any of the usual places, but it's possible it has been overlooked given its slight content. Does anyone know if Flashpoint Companion was ever officially published (i.e., committed to paper)? Perhaps as an in-store giveaway?

As a general rule, I confine mention of digital-only content to here on the Boosterrific Blog and leave it out of the larger tracking Boosterrific Database, in large part because digital content is so ephemeral, even by comic book standards. Should I make an exception here given the ubiquity of the free copies floating around online ten years after its original release? Oh, the headaches of being an obsessive comic book chronicler!

Hearty thanks to J for your ongoing efforts to make Boosterrific better than ever.

UPDATE: J adds via email

A few years ago, DC had booklets advertising various characters, such as Batman 101 and JSA 101, where they'd print a list of essential stories, a some two-page origin stories, and comic covers.... In the "Justice League 201" booklet, they'd reprinted the Origin of Booster Gold from 52 #24. But unfortunately, it seems to no longer be available.

Like the Flashpoint Companion, I believe those also only existed digitally, and my bias against tracking digital media applies. For years, DC made those 2-page origins available for free on their website as part of their character guides; that content seems to have evaporated as well.

And that's why I prefer physical floppies: DC can't take the paper away from me (unless they back a moving truck up to my house).

Comments (1) | Add a Comment | Tags: andy kubert dccomics.com flashpoint house ads j scott beatty scottbeatty.blogspot.com speedforce.org

Friday, July 21, 2023

My Favorite Pages: Booster Gold 25

My Favorite Pages

And so at last we reach the end of Booster Gold Volume 1. It is, without a doubt, the ugliest of all 25 original issues.

Robert Campanella's inks are not a good fit for Dan Jurgens' pencils, and even most of Jurgens' layouts are subpar. Either this issue was rushed through editorial to fit the aggressive Millennium publishing schedule, or all the visual artists involved were in a hurry to move on to greener pastures. Maybe both.

(In my opinion, this issue is the only one in volume one that I think looks definitively superior in the often careless recolored digital reprints over the original newsprint publication.)

It's really a shame about the art, because the Dan Jurgens' script deserves better. It hits all the right notes as it forces Booster to face the down-side of publicity (in an American fast food restaurant) with a Communist providing outside perspective.

It also cleverly draws in the Justice League characters Booster is closest to while setting our hero up for a triumphant come-back in the future. Both of those latter elements factor into my favorite page of Booster Gold #25 (especially Beetle's lecture in panel 2):

© DC Comics
Yeah! What Beetle said!

That's what I like so much about Booster Gold. His path meanders, but he always gets to the right place in the end.

Comments (3) | Add a Comment | Tags: black canary blue beetle dan jurgens favorite pages martian manhunter robert campanella skeets

Friday, March 4, 2022

People Are Talking, Talking About People

Whether or not I'm a fan of CW's programming, I have to admit that Donald Faison's portrayal of Booster Gold on DC's Legends of Tomorrow season 7 finale has certainly raised the profile of the character and introduced him to a whole bunch of people who have never actually set their hands on a DC comic. That's an objectively good thing.

So it is a worthwhile experience to read how the show's executive producer Phil Klemmer finally got around to adding Booster to his long-running show.

Here he speaks to Chancellor Agard for ew.com:

EW: Arrowverse boss Greg Berlanti has reportedly been working on a Booster Gold movie for years. How did the character wind up on Legends?

Klemmer: As you might expect, through the side door you'd least expect it [to]. I just remember [co-showrunner Keto Shimizu] and I were on a call with Kim Roberto at DC, and we were just talking about fun characters. I think somebody threw it out there, of course never [imagining] in a million years would we get Booster Gold. And then it felt like 15 minutes later, DC called us back and was just like, "Hey, Booster's yours." And just you have a moment of being like, "Okay, this is clearly a prank of some sort, because..." We were all giddy and in disbelief and then it just became a quest of finding an actor who was worthy of the character.

EW: Why was Booster Gold on your mind to begin with? Were you just looking for a DC character to bring in at the end of the season? How did Booster end up fitting the needs of the story?

Klemmer: It's always the tonal fit and just knowing, I don't know, there's just something so lovable and unexpected. You just knew that he was going to work as kind of a bit of the merry prankster, a bit of a BS artist.

Klemmer was also quizzed by Joshua Lapin-Bertone at DCComics.com:

DC: How familiar were you with Booster before this?

Klemmer: I just knew about him from the early days of Legends, when I would hear of various projects, whether they were TV shows or movies, in the same halls where I was working. And obviously dealing with Rip Hunter in early seasons as well. I just assumed that he was going to have his own project. I never imagined that he would come into our world.

DC: For building this version of Booster, did you draw upon any particular stories? Or did you build him from the ground up?

Klemmer: The creation of a character really takes place over the course of that first season, and then seasons to come. It's going to really be a correspondence between us as writers and Donald as a performer. We definitely wanted someone who is a little off center, and like, a little bit mischievous. But we also just wanted a charisma bomb.

And we round out our media tour with Klemmer's conversation with Damian Holbrook of TVInsider.com:

TV: Is the plan to keep Donald on the board?

Klemmer: For sure. We're not gonna let Booster get away. I'm really excited to write him—he's the kind of character you wish you could be. You could get away with murder and be so charming that you never really have to suffer the consequences. He's the antithesis of a writer. Writers are deeply neurotic and self-loathing self-doubting, etcetera. I think that's why we writers are drawn to those characters—because those are our secret alter egos.

Season 8 has not yet been announced. Will there be another season of Legends of Tomorrow? If I were a betting man, I'd bet yes (especially if Michael "Booster" Carter is on the field). Legends of Tomorrow is one of the few CW shows that has improved its ratings season-over-season, so I think we should prepare to see more of Klemmer and Faison's Gold come fall.

Comments (0) | Add a Comment | Tags: chancellor agard damian holbrook dccomics.com donald faison ew.com greg berlanti interviews joshua lapin-bertone legends of tomorrow phil klemmer tvinsider.com

Friday, March 12, 2021

Generations Writers Roundtable

You may recall that this time last week, I asked whether the "Linearverse" introduced in Generations Shattered and Generations Forged should count as continuity. That question got answered (in a roundabout way) when earlier this week Russ Burlingame took a break from writing books about movies to interview Generations writers Dan Jurgens, Robert Venditti, and Andy Schmidt in a spiritual successor to his old "Gold Exchange" column for ComicBook.com.

ComicBook: The idea that realities have always been there, just out of sight, rather than actually being destroyed, is a revelation to the characters here -- but is that how you view the worlds that are destroyed in each subsequent Crisis event? Certainly it's how The CW explicitly dealt with their post-Crisis multiverse.

Dan Jurgens: I hadn't thought about it that way, but I certainly see your point!

For me, on a personal level, I find it harder to accept the notion of entire planes of reality being destroyed, only to be recreated again. "Hiding" them or making them inaccessible actually seems much more believable. The amount of energy required to destroy and recreate universes is tremendous, after all.

Plus, we weren't going to change anything. The Linearverse was meant to stay much the way it had been, which is a place that is belt around DC's published history.

Robert Venditti: To steal from Dan a bit, I hadn't really thought of that. I don't know if it's important to me that definitive explanations are made. Mostly, I want to leave toys in the sandbox for other creative teams to play with. I think we've done that.

Andy Schmidt: One of the things that I generally want to shy away from as a creator is writing over someone else's work or saying that it never happened. Because it happened for the reader and for the creators who put those stories together. They're real and they're important to someone.

Most of the comics I grew up reading that got me into comics in the first place have been retconned so they never happened, but they're still what made me fans of those characters in the first place. So, for me, it's just kind of a respect thing for fans and creators both. If it's real to you — I should treat it as such. Generations Shattered and Forged gave us a platform to re-validate those "hidden" stories as you called them. To let readers and creators know we remember, and we still love those stories, while also crafting something new to introduce those takes on characters to new fans. It's challenging and it's fun and I think it's upbeat in the approach and hopefully in its execution.

I like the "it is what you want it to be" approach to the DC Universe — which in the past has made such titles as Formerly Known As The Justice League possible — so I'll choose to consider the story canon. Thanks, guys! I think I'm going to like this Linearverse.

Elsewhere in the interview, the creators also talk about why they chose the characters they chose to include in the story, as well as the long shadow Zero Hour cast on Generations. I recommend you read the whole article yourself at ComicBook.com.

Comments (0) | Add a Comment | Tags: andy schmidt comicbook.com dan jurgens generations gold exchange interviews robert venditti russ burlingame

Friday, July 10, 2020

Extreme-ly Boosterrific

Today I present to you my single favorite Booster Gold panel.

As much as I love the work of Kevin Maguire and Adam Hughes, it's not from Booster's Justice League tryout or KooeyKooeyKooey any other Justice League International comic. It's not by Aaron Lopresti, who drew many truly inspirational moments for our hero in 52 and Generation Lost, including his triumphs over Mister Mind and Max Lord. Nor is it a page from the pen of Booster's prolific creator, Dan Jurgens, though he has crafted so many other memorable Boosterrific moments in the past three-and-a-half decades.

It doesn't even have Blue Beetle or Skeets in it.

No, my favorite Booster Gold panel comes from a most unlikely source, a comic that few people have read since it was released in the middle of the Chromium Age of the 1990s. It was a time after Doomsday had killed destroyed Booster's original technology and our hero had lost much of his previous power and personal identity. (Clothes, after all, do make the man.)

Here's the panel, from the eleventh page of Extreme Justice #12, released November 14, 1995:

© DC Comics

Oh, how that gets me every time.

The artists for this piece are Tom Morgan, Ken Branch, and Lee Loughridge, with a lettering assist by Kevin Cunningham. I've always had a soft spot for profiles, and I have notebooks filled with doodles of similar poses. I can't tell you how many gnashed teeth I've drawn in my life. I think it's exceptional how tight the close-up is while still including everything you need to know about the person whose personal space we have violated. Considering that the previous panel is a full body shot, Morgan could have been lazy, but he doesn't skimp the details. The character's iconic blue star seen relegated to the shoulder pad — a literal chip on his shoulder — may be the best part!

But the real reason I love that panel is the writing by the late Robert Washington III and its literary allusion to Tik-Tok, the Clockwork Man of Oz, a mechanical servant/warrior incapable of independent thought or action without the mechanical assistance of its friends. The comparison to Tik-Tok reveals Booster at his most human: a wounded warrior who struggles under the weight of his own heroic expectations and biological frailties. Doubt personified.

Probably because I first encountered it at just the right time in my life, but it has become embedded in my consciousness. I think of this panel often, probably several times a year when I'm feeling worn down by my responsibilities or illness or just life in general. (I probably don't need to tell you, 2020 has been a real test so far.) Somehow, knowing that Booster Gold has experienced the same feelings brightens my outlook. If he found a way to keep going, there's still hope for the rest of us. (I have to believe that won't require entrusting my body to an alternate-universe would-be world conqueror, but a man's got to do what a man's got to do.)

So anyway, maybe it's not the best drawn or the most illuminating or aggrandizing Booster Gold panel, but it's my personal favorite.

What's yours?

Comments (1) | Add a Comment | Tags: clockwork man extreme justice ken branch kevin cunningham lee loughridge plague robert washington iii tom morgan


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