Wednesday, October 9, 2019
Old Release: Harley Quinn 66
It seems that in my glee over Bootser's cover appearances on Legion of Super-Heroes: Millennium #2, I missed a second Booster Gold appearance last week. Fortunately for us all, Booster booster J directed me to Harley Quinn #66 which included panels of Booster Gold and Harley hooking up in the Coney Island Wonder Wheel Ferris wheel.
words by Sam Humprhies, art by Sami Basri, Hi-Fi
Wow. Heroes in Crisis sure made some strange bedfellows. (Amusingly, earlier in the issue, Harley's mother tells her that she has "terrible taste in men.")
Given that the panel appears in a comic book within a comic book (and therefore isn't the "real" Booster or Harley), does this count as an example of in-universe 'shipping? Is such a thing possible? Maybe it's better if I don't find out.
Thanks to J for the spot.
If that's not enough Booster Gold for you this New Comic Book Day, consider taking a listen to Mike Avila's interview with Dan Jurgens for SyFy Wire's Behind the Panel podcast. As you might expect from the episode title, "Dan Jurgens on Booster Gold and the Death of Superman," about half of the 22-minute interview covers the creation of Booster Gold. Enjoy listening.
Comments (0) | Add a Comment | Tags: dan jurgens harley quinn interviews j mike avila podcasts syfy.com
SITE SEARCH
SPOILER WARNING: The content at Boosterrific.com may contain story spoilers for DC Comics publications.
Booster Gold, Skeets, and all related titles, characters, images, slogans, logos are trademark ™ and copyright © DC Comics unless otherwise noted and are used without expressed permission. This site is a reference to published information and is intended as a tribute to the artists and storytellers employed by DC Comics, both past and present. (We love you, DC.) Contents of this page and all text herein not reserved as intellectual property of DC Comics is copyright © 2007-2024 BOOSTERRIFIC.com. This page, analysis, commentary, and accompanying statistical data is designed for the private use of individuals and may not be duplicated or reproduced for profit without consent.