I got not one but two emails this week telling me that I missed a Booster Gold appearance in the backup story in last week's Joker: The Man Who Stopped Laughing #6.

And here's the panel to prove it:

If you're wondering what the context is for that panel, I can't help you. I've read the comic cover to cover and still have no idea what's going on. But I have to admit that's one pretty amusing panel.

Thanks to Jace and Marty for bringing it to my attention.

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In Booster Gold Volume 2, our hero became a time travelling policeman, someone whose job was to travel through time and ensure that history unfolds correctly. Given that the DC Universe has a propensity for frequent, reality-shifting Crises, the obvious question becomes "what is correct"? What history can be changed, and what can't?

Booster Gold #5 answers that question, which is why it is in my list of the twelve best Booster Gold comics.

To teach Booster Gold (and his audience) about the limits of interfering with history, the original Time Master, Rip Hunter, sends Booster back to one of the most known and respected stories in DC Comics history: The Killing Joke. Booster soon learns there is nothing funny about it.

What follows are about a dozen pages of Booster Gold (and Skeets!) having his shiny butt handed to him by the Joker and his goons. Over and over again, Booster tries to prevent the Joker from brutalizing Barbara Gordon. Over and over again he fails.

It's not always an easy read, but it is a worthwhile one — especially when you realize the gambit Hunter is playing and at what personal cost. It is also a valiant definition of true heroism courtesy of writer Geoff Johns. No matter how many times Booster Gold gets knocked down, he always gets back up again. What a guy!

It should be noted that a large part of what makes this light-on-dialogue book such a great read is the art, which Dan Jurgens and Norm Rapmund intentionally based on the original material drawn by Brian Bolland.

While legendary writer Alan Moore always gets most of the credit, Bolland's detailed and disturbing art is no small part of what has made The Killing Joke an enduring classic, and he deserves some recognition for making Booster Gold #5 one of The Best Booster Gold Stories Ever.

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I mentioned on Monday that I had been looking for something else on Twitter when I found that enamel pin. That something was some art of Booster Gold in an anime/Freakazoid!-sort of style. I did finally find what I was looking for:

Turns out that's not an official DC release but a very polished piece of fan art by self-taught artist @Jokeb0i. If you're interested, those panels culminated in a gif punchline you can see at ask-jokeboi.tumblr.com/.

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While I like most Booster Gold comics, I love some more than others. Among my favorites is Justice League Quarterly #1, the first appearance of the Conglomerate, released on this date in 1990.

Written by J.M. DeMatteis, Keith Giffen; Art by Chris Sprouse, Bruce Patterson, Gene D'Angelo; Cover by Adam Hughes

The issue's story, "Corporate Maneuvers (and leveraged buyouts)," was a logical counterpoint to the Justice League International era. Unwilling to sit back and let the nations of the world monopolize influence on the activities of formerly independent super heroes, the major international corporations of the DC Universe developed their own team: the Conglomerate. It was only natural that the original Corporate Crusader himself would lead them into battle.

The Conglomerate went on to much early success which created tension with Booster's friends in the JLI, especially Blue Beetle. I probably don't need to tell you that the two teams have to overcome their jealousy of one another to save the day, but it's very satisfying when the inevitable finally happens.

You probably won't see this issue on any "must read" list for new Booster Gold fans. I admit that it's mainly a Justice League International story. However, Booster Gold does have a starring role, and the story does directly address the dichotomy of Michael Jon Carter's "shallow" public persona versus his more noble self-identification. For that reason alone, I think it's worth a look for people interested in the evolution of my favorite character.

Besides, who doesn't love that leather jacket?

In honor of the issue's anniversary, here's Adam Hughes' original pencil work for the cover — an homage to Kevin Maguire much duplicated "crowded elevator" cover for Justice League #1 — as published in Back Issue #2 (February 2004). As you can see, an uninvited guest crashed this party! Click the image to embiggen.

Here's to the good old days!

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I often discover after a long phone call that I have wasted an entire pad of sticky notes with doodles. It looks like Kenny Larsen has the same problem.

That's just one of many sketches from Larsen's DeviantArt.com page (as jokerlover94). There has never been a better use of sticky notes.

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