I was looking through DC's December solicitations at ComicsBeat.com this weekend when I spotted the 1:25 retailer incentive variant cover by Jeff Spokes for Human Target #10 featuring the Justice League International:

That's the only revealed cover coming in December with Booster on it. And I might consider buying it... if I can't get the regular edition with stunning Greg Smallwood art showcasing G'Nort for 1/5 the price. (Sorry, DC, but I'm not made of money. Have you seen how much comic books cost these days?)

The solicitations don't make it clear if Booster is inside any of the books, but Dan Jurgens will be handling some art on the Dark Crisis follow-up, Big Bang #1, so maybe there. We'll find out when the book comes to your Local Comic Shop on December 13.

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I am not deluded enough that I would call Extreme Justice a great comic series. But comics don't have to be great to be enjoyable, and I certainly enjoy Extreme Justice.

Which is why I was so pleased to see a recent article in support of the much maligned series last week on ComicBeat.com.

Article author Deidre Freitas points out many of the things wrong with the series (though I think she undersells just how bad the art is), but she specifically (and correctly) singles out Booster Gold as one of the better parts.

One thing about this series is that it seems to be discarded as a byproduct of the ’90s, and its certainly of its time, from its Extreme label to the outfits, hairstyles and even mannerisms of the characters. But beneath the lingo and fashion choices, there are some genuinely good storylines in this book.

Booster Gold, who had nearly died at the end of Justice League America, is kept alive by a suit that Blue Beetle made him. He lost an arm, and his vitals are only stable because of the alien technology surrounding his body. For all intents and purposes, Booster is disabled for much of this run. Several times in the series he questions his own usefulness, wondering if all of this is worth it. Booster even goes after his former manager, spiraling into a dark depression and anger because the man embezzled all of his money.

Yeesh. Without a doubt, the "Extreme" era of the 1990s is the longest, darkest period of Booster's long career, though that was probably true for most of the DCU. Is that darkness why Extreme Justice is so derided? Who wants to see heroes at their worst?

Extreme Justice #6

On second thought, don't answer that.

Just know that it gets better, Booster.

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ComicsBeat.com writer John Seven calls our attention to something I didn't know existed. From his article, "70 Out-of-the-Way Songs About DC Superheroes":

The Corps – Booster Gold
When Booster Gold first appeared in 1986, I thought the character was dumb. And I've never totally warmed up to him, but certain appearances — Heroes In Crisis, for instance — have made the character more palatable for me. Anyhow, this song gets bonus points for mentioning Blue Beetle a couple times as it goes over the Booster Gold story. The album also features songs about Wonder Woman, Supergirl, the Rann-Thanagar War, Identity Crisis, and more. Buy it [on Amazon] or stream it on Spotify.

I find it hard to trust the opinion of anyone who actually liked the characterizations in Heroes in Crisis, but any punk song with a Skeets reference is good by me. Parents, beware that the album contains explicit lyrics.

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DC Comics released solicitations for November 2017 earlier this week. If you don't already have it in digital or floppy form, you'll soon have a third chance to see Booster's final, one-panel cameo appearance in Smallville continuity courtesy of the aptly-titled Smallville Season Eleven Volume 9: Continuity. That looks like about our only chance to see our hero in November. My question is "Why?"

Let's look at the bigger picture. Based on available numbers assembled by ComcisBeat.com and ComicChron.com, DC Universe titles have seen hard copy periodical sales fall by more than 21% over the past decade (and more than 42% since Rebirth's initial bump). Trade collections prop those numbers up slightly (adding 2% in either case), but not nearly enough to cover the full difference. Do digital sales make up that shortfall, or it simply a case that fewer people care to read DCnU titles these days? I certainly don't, and the primary reason is the continued absence of one particular character. (Hint, hint.)

DC doesn't exactly look to be taking that bad news lying down. Looking at solicitations, you'll see several new DCnU comics coming in November featuring lesser-known heroes. Black Lightning shines again in Black Lightning: Cold Dead Hands. The Demon is back in The Demon:Hell on Earth. Zatanna reappears in Mystik U. Even Batman's latest (and most lazily-named) protege, The Signal, is getting some love with Batman and the Signal.

While it is a good idea to inject new characters into the publishing line up, all of those are mini-series. You'd almost think DC was afraid of commitment. (Why wouldn't they be? Even death is impermanent in the DCU.) However, the company seems equally unwilling to drop the hammer on underperforming ongoing titles to make room for new ones.

In June (the most recent month for which numbers are available) the company had 3 ongoing titles that undersold the lowest selling issue of Booster Gold volume 2 (Booster Gold #43 in 2011). New Superman and Blue Beetle had June issues very near DC's pre-Flashpoint cancellation threshold. The worst performing of the three, Cyborg, is doing worse than its pre-Rebirth numbers, and it was trending below the old threshold then! Judging by November solicitations, all of these will continue into November with no cancellation, taking up valuable opportunities for titles with a chance to spark interest in new readers.

I don't mean to suggest that returning Booster Gold to action would reverse any of those negative sales trends for the company, but I do suggest it couldn't hurt. At worst, Booster Gold can outsell Cyborg! I can name at least one reader who would be picking up more DCnU books if Booster Gold was around.

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ComicsBeat.com has the exclusive preview of today's The Flash #21, and you don't have to look to hard to find a cameo appearance by the sidekick of the future, Skeets!

This is hardly the first time we've seen Skeets' outer shell among the artifacts stored in the JLA trophy room. One version or another has been in the Watchtower since JLA Secret Files & Origins #2 in 1998. We saw a similar image in Justice League of America, volume 2, #7 in 2006.

However, this is the first time we've seen the Justice League Unlimited version of Skeets in the regular DCnU. Is this multiverse crossover a side effect of Convergence, Rebirth, or just an artist who likes the JLU look? Who cares? It's Skeets!

Thanks to Benni Beard for pointing out this easter egg!

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