- Booster Gold
Monday, December 16, 2019
A "fictionalized" Booster Gold showed up at the end of Harley Quinn #66 in part to satisfy the title's obligatory "Year of the Villain" crossover event.
The next month, in Harley Quinn #67, faux Booster returned as justification for a trip through the DC Universe's never-ending series of "Crisis" events. (Was this the same "fictionalized" Booster seen in the previous issue, or a different interpretation? It's impossible to tell, so assume whatever you like.)
Finally, this March, it looks like the "real" Harley and Booster will finally cross paths for the first time since Heroes in Crisis.
Per the issue solicitation at Newsarama.com:
HARLEY QUINN #71
written by SAM HUMPHRIES
art by SAMI BASRI
cover by RILEY ROSSMO
Harley thought a little trip to Los Angeles would help her cope with grief, but grief followed her all the way to the West Coast. When a new friend of hers dies, she knows in her heart there is foul play at work. She’ll have to put down her mallet and pick up a magnifying glass to prove her friend was murdered. And will Booster Gold help her investigation or only hinder it?
ON SALE March 4, 2020 · $3.99 US
Attention DC: you had me at Skeets on the cover.
Thanks to Rob Snow for alerting me to this coming event.
There have been 2253 blog entries since January 2010.
FIND NEWS BY DATE
SPOILER WARNING: The content at Boosterrific.com may contain story spoilers for DC Comics publications.
Booster Gold, Skeets, and all related titles, characters, images, slogans, logos are trademark ™ and copyright © DC Comics unless otherwise noted and are used without expressed permission. This site is a reference to published information and is intended as a tribute to the artists and storytellers employed by DC Comics, both past and present. (We love you, DC.) Contents of this page and all text herein not reserved as intellectual property of DC Comics is copyright © 2007-2020 BOOSTERRIFIC.com. This page, analysis, commentary, and accompanying statistical data is designed for the private use of individuals and may not be duplicated or reproduced for profit without consent.